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Beste Spielothek in Alpe dil Chant finden

5. Nov. CASINO MERKUR-SPIELOTHEK ist heute mit seinen über modernen BESTE SPIELOTHEK IN ALPE DIL CHANT FINDEN, Juli Diekholzen, Ziegenberg, SteinJ MERKUR-SPIELOTHEK GmbH & Co. . Beste Spielothek in Tarbek finden, Beste Spielothek in Alpe dil Chant. Juli Tänze aus der Charleston-Ära, aufgepeppt mit Techno-Klängen, brachten Beste Spielothek in Alpe dil Chant finden gut aufgelegten Frauen.

But the chaste goddess granted not her puy tr. A veil of cloudy shadows Withdrew her orb from SeraflnaN gaxe. Du bist ein Engel, bringst mir Frieda, Ich littre nicht yor dir.

Her wandering ejet To Heayen timidly with anguish turnings Seeks she comfort, And finds it not. Wohin, Bethfirte, schweift Dein frevelhafter Wahn?

Du siehst in's Grab hinab, uud schauderst nicht? Der Himinel ist vor dir verschlossen, Und zQrnend wendet sich dein Engel von dir weg.

Ich fordre nichtt, Erwarte nichts von diezem Leben. Veneih, Terzeih den allzumftchtigen Trieben Der triumphirenden Natur! At every whisper From dusky grove, When flaps her airy win;?

The turtle dove, How beats my heart! My ear I strain, And when I list and wait Day after day — how great la then my pain!

Der Spott, mit dem sie stecheOf Itt scharf wie Nadelspits: Sohwite An mir 'ne brave Frau. The raillery they sting with Is like a pointed lance ; The wit that they discourse witll Is taken firom romance.

For trifling, writing, reading All turn a maiden's head ; The man for me elected Will read for me instead. Fair youth, art thou from SwabiaF Dost lore thy fatherland?

Und wie ein Geist schlingt um den Hala Daa Liebchen sich herum: WilUt mich verlassen, liebes Hen, Auf ewig? Up, up, ye brothers! To some, grey headed parents bid A last adieu, while some Caress a brother, sister, friend, Who pale their weeping ftoes wend From us, while all are dumb.

SI Lebt wobi, ibr Fteunde! So streeken wir empor die Hand, Undjaucbzen: Und alles dankt und singt. Wtr leben drauf in femem Laad Als Deutscbe brav und gut, Und sagen soil man weit und breil.

Eternal is sweet friendship's power. And Ood is every where. And ere we quit onr natire shore With earth we'll fill our hand, And kiss it all, in gratitude For thy abundant care and food.

We'll onwards sail, deroid of care. And when amid the rapours blue The Table-mountain looms. Well liye then in a distant land.

As Germans, brave and true. And they shall say, both near and flv. And mix with tears our wine. I will sing, O my Creator, Cheerfully to thee will sing.

And my song, like forest musio. Where thou art, O God, shall ring. Wake, O mind, in nte, exulting, Melt in song with holy seal, Sound as doth the bell of silver, Echo like the organ's peal!

Spirits, God's high throne surroundings Like the fire's surging flame. Angels, men, O sing together, Aid me to exalt his name!

But not loud enough ye sing. Beasts in forest, fish in ocean, Birds in air, in grove, and wood. Praise him aU ; ye Christian teardrops Stream with joy and gratitude!

See the gloomy walla around I Lo! And before thee 1 am dumb! Swiftly from the metal cavern Flies the life-destroying lead. How brightly and serenely She takes her nightly round!

Who in yon starry chaplet Is thus with beauty crowned f How modestly she wanders. Hab' NichtSy mich dran so fireues.

IHfs labour she rewardeth, And bids the eyelids close, The sons of earth inviting To silent night's repose. Thou, who to us hast giyen Her sweet and friendly light.

Thou in a life of gladness Must surely take delight. Er wichst nicht Oberall im deutschen Reiche; Und viele Berge, hdrt!

Thtlringens Berge, snm Ezempel, bringen Oewftchs, sieht aus wie Wein, Ist's aber nieht; man kann dabet nieht singen, Dabei nicht frOhlich sein. Vitus feteh bis wint 'TIS more than we will do.

How oould it else be generous and mild. Yet with such strength imbued? Yet grows it not in all Oermania's zones. There groweth aught upon ThuxiBgia't hffls.

They call it wine in vain, Tis not ; its juice, no heart with gladnast filK It wakes no vocal strain. Then let us qualF it, let us ererj where E'er joy and mirth combine I And if we knew a man, bow'd by despahry We'd gire to him the wine.

Lead me then onto the brook. Bound the violets dancing, Murmuring in shady nook, Through the vale advancing. Where the gentle swain and maid Fond affection plighted.

O'er the violets bending? So wie am Mutterhenen Bin Sohn der Freude liegt. The day may wane and yanish. As on a mother's bosom A son of joy doth lie, Unknown to pain and sorrow.

Thus lulled by hope shall I. With hope no earthly wisdom Illumes death's gloomy night; Yet where thou art, man findeth E'er life, and love, and light.

Creation's end thou viewest. And what tliou'st made, the whoto Within thy hand reposes t O God, receiye my soul! Schneller Jang ist unser Leben, La8 t uns Rosen auf ihn streu'n.

Rosen; denn die Tage sinken In des Winters Nebelmeer. Rosen ; denn sie blahn und blinken Links und rechts noch um unrher. Rosen stehn auf jedem Zweige Jeder sch6nen Jugendthat.

Wohl ihm, der bis auf die Neige Rein gelebt sein Lebcn hat. Time more swift than wind and bOlowf Fleeth.

Who can bid it stajP To enjoy it when 'tis present, To arrest it on its way, This, ye brothers, will the fleeting Of the winged days restrain ; Let us strew life's path with roses, For its glory soon will wane!

On each spray there blossom roses. On each noble deed of youth j Happy be who, till its waning. Days, O be ye like a garland, Crowning locks of snowy white, Blooming with new brightness round Like a youthful vision bright.

E'en the dark-hued flow'rs refresh at With repose of matchless price. And reCreshing breexet waft ns Kindly into FtouUae. Innocence and loye, fsur lily and sweet rote.

Like two lovely sisters stand ye side by side. Lenore starts at day break's shine, From troubled dreams i "O say, "Art dead or faithless, William mine?

Von alien, bo da kamen. Kun fahre Welt und Allea hin! Bei Gott ist kein Erbarmen. Sieh uas gnidig ami Kind, bet' etn Vatemnserl Was Gott thut, das ist wohlgethan.

Gott, Gott orbarmt aich unser! In road and lane and street. Went forth the old, the young, the fidr. The shouting host to meet. When all were passed, in dark daspair, She wildly tore her raren hair, In rage and gnef profound.

She sank upon the ground. Kein Sakrament mag Leben Dem Todten wieder geben. Wann Seel' und Leib sicb trennen, Wird ibn sein Meineid brennen!

Der Tod, der Tod ist mein Oewinn t O wir' icb nie geboren! Liscb aus, mein Licbt! O web, o web mir Armen! OeV nicbt ins Qeridil Mit deinem armen Kinde!

So wird dock deiner Seelen Der Briutigam nicbt feblen. Till o'er the vaulted sphere The golden stars appear. And at the gate a rider, spurred, Dismounts his reeking steed.

Then came unto her ear These words, distinct and dear. Ich habe spftt mich aufgemacht, Und will dich mit mir nehmen. Muss heut' noch hundert Meilen Mit dir ins Brautbett eilen.

Lilienhande ; Und hurre, hurre! Der Motid Mhehit lidl t Hurrah t die Todten reiten ftchnell! Graut Liebchen auch tor Todten?

Horch Glockenklang f horch Todtensang s y,Lasst uns den Leib begraben! Das liied war su yergleichen Dem Unkenruf in Teichen. Komm', Pfaff, und sprich den Segen, Eh' wir zu Bett uns legen!

Steed snorted, rider too, The sparks and pebhles flew. On sinister and dexter hand. The flapping ravens hurry. Der Mond Mhcint Ult Hurrah!

Lass ue ruhn, die Todten. The sparks and pebbles flew. How flew unto the right and left Hedge, tree, and mountain fast!

How swiUly flew, both right and left, Town, Tillage, hamlet, past! The spectral dead their reel. And further, flirther, flew they on, In furious gallop on on on!

Steed snorted, rider too. Der Mond mIimbI belli Hurrah! Die Flfigel flogen klirrend auf, Und fiber Grftber ging der Lauf.

How o'er their head the heavent blfkef And stars flew swiftly past! With slender twig one blow thereon Burst lock and bolt in two.

Upon his head no lock of hakp A naked skull all grisly baret A skeleton, alas! With scythe and bovr gllM. The inorting cbarger praneed and ndgfaedt Fire firom his nostrils came, Ho, ho I at once beneath the maid He vanished in the flame.

From out the pit a whining cry ; Lenore's heart was wrung, Twixt life and death she himg. A picture fair This landscape were In Dietrich's hand.

And there in sight Contentment Hall! The bushy banks, The fishes' pranks Upon the ground ; Trout glide below And bobbles blow.

Sie blaht, und blfihfll Doch schdner nicht, Ab das Gesicht Elisens gluhet. When early breaka The morning glad.

The queen so fair Of morning sheds Her dewy tears. And wreaths each blade In grassy glade With crystal spherea. The bud displays Its. The flower essays Its festal vest.

In summer's glow Oft do we wander To the Meander That flowa below. Shall I not haste Such joy to taste? And wit inspires The cheerful jest.

With kisses long Atones her wrong. Dass doch die Zdt Dich nie zerstOre! Thus circle e'er The festal joys While dulncss cloys Our spirits ne'er.

With lavish care, Give to each maq Whose shoulders can The burden bear. Wer hohes Muths sich riihinen kann, Den lohnti nicht Gold, den lohnt Gesang.

Song of the brave, how thrills thy tone, As when the organ's music rolls! No gold rewards, but song alone.

The deeds of great and noble souls. Kow glory to God that my voice I can raise, And sing to the good and gallant man's praise 1 The thawing wind from sonthem seas Moans dully o'er the Alpine rocks.

The scudding cloud before it flees, The wolf thus scares the timid flocks. On massive arch, on pillar stout, There stretched a bridge across the flood, Of free stone from the top throughout; Midway a little house there stood.

Here dwelt the toll-keeper with child and wife. His eye o'er the wild tumult roamed. O savajne, o saveP.

So nenn ihn, nenn' ihn dann! Laut kraehten und gtOnten die Bogea naoh. Dm Better von Allen lugleich lu aeia. And higher still the surges swell, The roaring winds still louder shriek ; Their courage ever lower fell.

Behind them crash tumbling the arches all. And each one heard, but all were dumb, Not one came forth from thousands there.

In vain did the keeper with wife and child Shriek loudly for help 'midst the tempest wild. A simple peasant then was seen, As with his staff the crowd4ie cleft, His stature tall of noble mien, He wore a kirtle coarse of weft.

He heard the count's words and their import pnlMiy Then On the approaehing destruction gased. He boldly sprang, his trust in God, Into a bark upon the strand ; v In spite of whirlpool, storm and flood, In safety was he seen to land.

Bis ihm die Hettung gaux geUrng. Wer solcbes Mulbs skb rOhmen kano. Den lohnt kein Gold,, den lohat Gesang.

Who is the man so good apid brave? The peasant risked his life to save. Eb Winzer, der am Tode. A Tintner, at the point of death , 8pake to his sons with parting breath ; "A treasure in our vineyard lies.

Ere in his grave he long had lain, They searched and dug with might and With spade, and mattock, and with hoe The vineyard o'er and o'er they throw.

No clod escaped their zealous toil. E'en through a sieve they passed the soil, And drew the rakes across, arouQd ; For every stone upon the ground.

But of the treasure saw no trace. Each thought 'twas but a wild goose chace. But scarce the sun ita yearly round BLad made, when they with wonder found Each vine-tree bore a threefold prize.

Then grew at length the children wiae. The warbling blxd Around is heard. God a little span of time Did to us allot. Gaily bounds the boy to-day In the dance of spring ; But death's chaplet to his grave They to-morrow bring.

Let unheard no nightingale Warble forth her strain! In the vale of spring no bee Hum her song in vain I Taste, as long as taste ye may.

Juicy grape and kiss, Till the robber death one day Robs you of your bliss. The groves with nightingales abound. With rapture lists the youth apart ; Still streameth, when their songs resound, Itepose e'en in the broken heart.

Kennst du das Land? Dahinl Dshin M5cht' ich mit dir, o mein Qeliebter, zielm. Kennst du das Haus? KnoVst thott the land?

Say, dost thou know itP There, with thee, My path doth lie, O father, let us flee! Ergeht's euch wohl, so denkt an mich, Und danket Qott so warm, wie ich For diesen Trunk euch danke.

Die Wiese her, und sang. A Tiolet grew up unknown, Bepining in a meadow lone, A lovely little flower. Then came a youthful shepherdess With tripping step, and flowing tress.

And sang, and sang Along the verdant mead. Oh but "One fhorU one fleeting hour I" 71 oorrifit. Qhl bis an's Hers hinan. He holds the sobbing ehild in his arm, He reaches the eourt with trouble and dread ; Alas I in his arms the child was dead.

And as he sits, and as he pores. The waves divide on high, And from the murmuring bUlow soars A nymph with dewy eye. Sie spraoh lu ihm, sie sang sn ihm; Da war's um ihn geschehn: Halb sog sie ihn, halb sank er hin, Und ward nicht mehr gesehn.

Er liegt zur Hand Attf meines Tlsches Rand. She spoke to him, she sang to kim4 Then was he lost, I ween ; She drew him half, half sank he iut And never more was seen.

Now sipping sherbet there stood by the quaam A lady, the fairest of all. When the cup at her lips to shiver was -i O terrifaia wMtha cap's Ml.

And back now returning came rmmirg the ymilht And met the fair lady distrest ; Long had they, though none e'er suspected the tmth, Their love to each other confest; O happy hour Of Fortune's favouring power!

To his bosom the maiden he prest. Each other they kissed and caressed. They severed at last, each hnnriod away i She hastened to enter her rooms, The page through the hall to the queen made his way.

Amid the bright swords and the plnmei. The princess espied A stain on his side ; Her eye left nothing unseen, Like Sheba's superlative queen.

Meine Seele sollst du baben! Poor in purse, and sick at heart. Dragged I on life's weary span. Bliss is but in riches found.

And 1 went, to soothe my heart, Forth a treasure-bowl to takm. Magic circles then I drew. Placed enchanted flames around.

Herbs and bones upon the ground Spake the mcantation's form. Then the sod I duly threw From the hidden mine of gold. Gleaming onwards like a star.

From a distant realm atet Midnight echoed o'or the land. Und da gait hem YorberaitMi. Trinke Mnth des reinen Lebens!

Grabe hier nicht mehr yergebena. Is with the bright gift of joy Surely not the Evil One. A boy a little rose espied. Sweet rose upon the heath!

And teach thee how a rose can chidci Thou shalt not he my death. O pretty, pretty rose so red, Sweet rose upon the heath 1 Then from the bush the wild boy wnuig Sweet rose upon the heath ;.

The rose resisted long and stung. Thyrsis for a kiss did proffer Two, three lambs that very daf, Archly looked she on the offer.

But she laughed and sang awagr, Fallala! And another offered ribbons, One the heart within hia breast; But with both the heart and ribbons She as witb the kvibs did jest, Falkla!

Then he drew me to his side, O how sweet his kisses were! All my joy away is flown. Twas in a forest. I saw a flower Overshadowed rise. Like stars so beaming, lake bright blue eyes.

Keine Luft yon keiner Seite I Todesstille filrohterlich! Motionless now rests the nuuOt And the anxious sidlor sees Round about a glassy plain.

And iEolns firees From their prison the winds. They whistle and roar, Alert IS the sailor. How beat my heart! And o'er the mountains hung the night t The oak in misty mantle stood, A giant with his outspread arms, Where darkness from the grove and wood Spread with its hundred eyes alanne.

Tks Poetry of Gcrasay. In deinem Auge, welcher Schmen! Hen, mein Hen, was soil das gabeaF Was bedringet dich so sehr?

In thy bright eyes how keen a smart I I went, thy downcast eyes so coy, Sitfused with tears, then followed met And yet, to be beloved!

Heart, O hearty what meana thif ftrifef What oppresses thus thy lot? What a newjuid wondrous lifis t I ean recognise that not.

Wie herrlich leuchtet Mir die Natur! All that thou bast loTed ii fled. Gone the cause why thou wert sad Gone thy zeal and peace away — Ah, how has it happened, say I Fetters thee the bloom of youth, This sweet form so lovely bright.

This look full of love and truth. Back to her retrace their way. And with this enchanted thread. Which I cannot rend in twain.

By the wanton maid I'm led. Und Freud' und Vtonm Aus jeder firust. So golden schdn, Wie Morgenwolken Auf jenen Hdh'n! O 8unl O earth!

So golden bright, Like morning clouds On yonder height! Thy blessings crown The dewy fields. The teeming worid That perfume yields. How I loTe thee! How beams thine eye!

How loVst thou met As loves the lark Its Tocal lay. Schenkt xnir die Sonne HagelundWald? Beichltcber fliesaen Bftchlein stiinal.

Ist 68 das Thai? Doth the sun giye nw Mountain and mead f Fuller the brooklets Murmur their tale. In the grores rustle Plumages gay; Heayeniy songsters Warble their lay.

In the gay blossom's Honied retreat Hums the bee, stppinf Nectar so sweet. Soon doth the sephyr Freshening rise. The flocha aa they graxe I follow. Yet how 1 can aoaroely telL The meadowa are aweedy enamaUod With flowers so loyely and gay; I gather them, but without knowiBg To whom I shall give them away.

And over yon cottage it stands t But she, alaty is departed To distant, hi distant lands. To some fisur land and farther, Perhaps eyen over the sea.

Pass on, ye sheep, pass onwardit The shepherd, O sad is he. Whence comes it that thoa art so sad. While all appear so gay? Yes, by thine eyes it may be seen That thou hast wept to-day.

And whatsoe'er thy loss may be. Soetinag spread'el then o'er my Uda Looks of purity. Fliesse, fliesse, lieberFlutal Nimmer werd' ich iroh!

Ich besass es doch einmal, Wassokdstlichist! Dass man doch zu seiner Qual Nimmer ea vergisst! Joy and sorrow's echoes yet Vibrate in my heart, And 1 rove 'twixt joy and From the world apart.

Yet I did possess it once. This most precious jewel j O that its remembrance should Be to me so cruel! Murmur, stream, along the fak. Ever restless, fleet, Murmur, whisper to my song Melodies so sweet I When thou in the winter's night Baging overflow'st, Or around the vernal sweets Of young buds thou flow'st.

Wisse, dass du uns erfireust, Wenn du vlele propheieist. In the sweetest time of year. And again cuckoo, cuckoo. Full of love, and ftiU of truth.

Say, will it be soon or late f How long will they haye to waitf Hark! Patience but for two more years! But, when we are one becoiM, Will pa pa papas e'er oomeP Well lef oice if thou but crieet, And us many prophesiest, One!

Leben ist ein grosses Fest, Wenn sich's nicht bcrechnen Ifisst. Baget, Steine, mir an, o sprecht, ihr hohen PalUlste! Strassen, redet ein Wortl Genius, regst du dich nicht P Ja, 68 ist alles beseelt in deinen heiligen Mauern, Ewige Roma; nur mir schweiget noch Alles ao still.

O wer flOstert mir zu, an welchcm Fenster erbliek' ich Einst das holde Oeschdpf, das mich versengend erquickt? Ahn' ich die Wege noch nicht, durch die ich immer und immer, Zu ihr und Ton ihr zu gehn, opfre die kdstliche Zeit?

Trae, we fain would, if we can. Live Ufe't yery longest spau. Cuckoo, cuckoo, cuckoo, cuckoo, fte.

Life ia a great jubilee When it cannot reckoned be. If we e'er old age attain. Will our fkithful loTe remain? Speak, ye ruins, to me, O speak, ye sumptuous mansioiwl Streets, O speak but a word!

Genius, wakest tliou not? All is endowed with a soul within thy roTerend precincts, Rome, the Eternal ; and yet silent is all unto me.

Who in mine ear will whisper, where I may, at her lattice, Greet the beauteous form destined to quicken my soul?

Can 1 diyine not the path, to which I shall ever and erer Moments so precious devote, going from her to and firof Still I gate on churches, palaces, ruins, and pillars, As a deliberate man duly each moment employs.

But it soon will be past ; then will there be but one temple, Thine, O Lore, whose bright gate will to the wonhipper oiie. In liis fathers' halls reposed Knightly Kndolph's dreaded sword ; Bndolph, vhom fierce battle cheered, Bndolph, who by France was ilsaredt And the Saracenic horde.

He, last scion of his race, Monmed his sons who fought and Ml 'Mid walls overgrown with most Bang the waitings of his loss, Echoing in niche and cell.

Agnes with the golden locks Staff of his dt'clining years. Horst enflamed, upon his sword Glanced, and with defiance frowned Love and anger fiercely glowed On his cheeks, while fire flowed Wildly from his eyes around.

Bedly gleamed the corselet's steel In the even's golden glow; With their chargers' stamp the ground Echoed far and ivide around ; In the valley fled the roe.

Tf enn ich dann errnddet bin. To the maiden's chamber flies, Gazed, and mahed upon his swoid. Breathed in silent grief his last. Holj Nature, sweet and free, Let me oyer follow thee.

And when weary, then will I -Sweetly on thy bosom lie. Breathing HeaTen't joys, i Clinging to a mother's Inreast.

Holy Nature, aweet and fraal M voss. Mir ward to angst; der Faden brach; Das Herz im Busen schlug mir hdher. Liebkosend drQckt' er mir die Hand, Und schwur, dass keine Hand ihr gleicho.

Sein naher Mund, so roth und warm, Wie Birtlich haucht' er: I then looked up, in thought 'twas And sat so bashfully and spun. Again the thread I fastened on.

And sat so bashfully and spun. With soft caress he pressed my hand. And swore none could with it compare. Though by this praise my heart was woiit I sat io bashfully and spun.

Upon my chair he leant his arm. And praised the fineness of the thread. Bie ging zam Sonntagstanief Sohon klang MusikgetOn!

Und sie, im grflnen Kranze, Sie war so wunderschdn I Heut, dacht' ich, kannst du't wafent Du kannst ja mit ihr gehn, Ihr dies und jencs sagen, Und ihr dein Herz gestehn.

O tell me, sisters, tell me! I followed her, she hastenea Unto the larch-tree grove; And where the path divided I lint overtook my love.

Ihr ftrbten sich die Wangeni Kaum wagt' ich, aufzusehen I 80 blieb ich, ganz befangeni Vor ihren Blicken stehen.

Wenn das so mit mir bliebet Dann wQrd' ich noch sum Tropf. Ach, glaubt es nur! She asked me what I wanted Alas! My face was in a glow.

And stood there all confusioa Before the maiden's look. I fain had fled before it, It drew, as with a spell, The tear-drops from my eyelids, Like water from a well.

And what I heard 1 heard not, Ko luck has llobert, no! I kapt my heart and, blushing. In silence turned to go. It Tanished into air. If thtu I go on longer A dunce shall I become.

Beliere me, loTe confuses And atrikas the wisest dumb. Schdne Mioka, ich muss scheiden! Lovely Minka, we must part ; Ah!

Gloomy will the day appear, O'er my cheek will course a tear, Grove and mountains, they shall hear, Minka, hut of thee.

Ke'er from thee my thoughts IH wend. With my lips, and with my hand, From the distant hills I'll send Greetings unto thee. Ere I see thee, lore, again.

Ah I hear thou my prayer! Tief verstummen meine Lieder, Meine Augen schlag' ich nieder; Aber — seh' ich einst dich wieder, Dann wird's anders sein!

Zum Werke, das wir emst bereiten, Oesiemt sich wohl ein emstes Wort ; Wenn gute Keden sie begleiten, Dann fiiesst die Arbeit munter fort.

Hushed and silent is my stnuiy On the ground my looks remain ; But — should 1 see tliee again, llien no more I'll pine.

Though thy rosy tints be fled, Though thy bloom of youth be dead. Yes, with soars and gashes red, Sweetest, thou art mine.

TIE soie OF va bul. Firmly bound the mould of clay In its dungeon-walls doth stand. From the brows of all Must the sweat-drop fall.

Ere in his work the master Htoj The blessing Ood alone can give. To what we earnestly prepare Now may an earnest word be said ; Mlien good discourse our labours share.

Then merrily the work is sped. Xocht des Kupfers Brei! Tlfl this adiUtM the human rftoa, For this to man was reason gtven. What in earth's deep and hidden cell The hand with fire's aid doth speed.

Will in the steeple's belfry dwell And loudly witness of our deed. While far those cheering accents ring. See the silver bubbles glow!

Good, the molten billows swell. ErrMbend folgt er ihren Spuren Und ist von ihrem Gross begiackt. With festive joyous accents rife It greets the well beloved child.

Launched on his first career of life. Kow, longing for life's stormy pleasures. Girl's merry sports the stripling spurns, With pilgrim's staff the world he measures.

Then home a stranger he returns. Behold the maiden meets his eyes! A nameless longing with its spell Enthralls his heart, he strays alone.

Tears burst from out their crystal well. His comrades' revels hateful grown. Then blushing, follows he her trace, O joy!

Where gentleness with strength we find. The tender with the stem combined. The harmony is sweet and strong. Then prove, e'er wedlock's wreath be twined.

If heart to heart its fetters bind! Illusion's brief, repentance long. Sweetly in the bridal locks Smiles the virgin wreath of green, Wlicn the mellow church bell rocks, Bidding to the festive scene.

With the girdle, with the veil. Is the fond illusion gone. The passions soon fly, But love must remain ; The blossoms soon die.

Fruit comes in their tnun. Must venture, and stake His fortune to make. Then boundless in torrents comes pouring the gift. The store-rooms increase, and the mansion ezpandsi Within it reigns The prudent wife, The tender mother.

She hoards in the bright polished presses till fall The snowy white linen, the sparkling wool.

The bright and the showy to good she disposety And never reposes. Now the sire with joyful mien. From the house's lofty gable, Oases on the prosperous scene ; Sees the beams around him soar.

And the barn's abundant store. Gamers blest by Plenty's horn, And the waving sea of corn. But before we run it in Offer up a pious prayer I Loose the spigot!

God preserve the house! Smoking in the hollow caye Rushes forth the glowing ware. How genial is fire's might, When tamed and "watched by man aright!

Woe, when bursting forth it flies, Spreading with unbridled ire! In the busy street arise Mountain waves of raging fire ; For the elements despise Wealth that human hands acquire.

Waters gush ; Where it listeth lightning flashes. Hear ye that waii irom yon tower's waUaf 'The tocsin calls! Ked as blood Glow the skies ; That is not the daylight's flood!

Strassen auf I Dampf walltauf! Surging upwards, higher, higher! Mothers wander, children shriek. And cattle low 'Mid Buin's glow; They run, they save, rush to and fro.

With the raging flames dispute; Crackling 'mid the grain and fruit, Through the gamer's space they gleam. Seise the dry and massive beam.

And, as though they in their flight Would the earth-bidl with them tear. Upwards sweeping through the air, Surge they to the heaven's height With giant scope!

Deprived of hope, Man submits as he surveys, Wond'ring, with an idle gaze. What the hand of God has done. What though bereft by fire's wrath, One comfort still his heart may cheer.

He counts the forms to' him so dear, Lo I all are left to cheer his path. With success the mould we fill ; Will the work when 'tis achieved Recompense our toil and skill?

If the cast should fail? If the mould be frail? Perhaps fell mischiefs deed is done. Tb the dark lap of holy earth Do we confide our work and deed, The sower sows the earth with seed.

And hopes 'twill give to blessings birth. Of Heaven's grace the grateful meed. Die sie an der treuen Brust Wachsen sah mit Mutterlust — Ach!

Bis die Glocke sich f erkahlet, Lasst die strenge Arbeit ruhn. Tis the wife, the well belov'd one, Tis, alas!

Whom the Prince of Shadows chases From her husband's fond embraces, From his children in their bloom. Till the bell can cool, away! Let us leave our toil awhile!

As the feather'd songsters play, So may each his time beguile. Wends the wanderer his steps Back to his dear cottage home. Bleating seek the sheep their fold.

And the herd Of the broad-broVd cattle eomey Homewards lowing,. The accustom'd stables knowing. To the dancfe the youthful reapers Jocund hie.

Darkness spreads O'er the earth ; But no honest burgher dreads Night's dark tide, Though it woo to fearful deeds, For the law is eagle-eyed.

Countless liands to toil unfold. Gentle peace, Concord blest, Kever cease Kindly o'er our town to rest I O may ne'er that day appear, When the savage hordes of war Devastate this silent vale!

O'er which Eve her rosy shades Sweetly throws, With the wild and fearful glare Of the burning city glows. Break asunder now the mould. For its work is done at last.

Wenn die Olook' soil auferstehen. Muss die Form in StQcken gehen. Wield the hammer, wield. Till it split the shield I before the hell can rise on high.

The mantel must in pieces fly. The master, when it seemeth good, With prudent hand may hreak the motildf But woe, when in a flaming flood The glowing metal hursts its hold I Blind, frantic, with the thunder's swell.

It hursts its fractured prison's side. And, as from out the jaws of Hell, It vomits Ruin's flaming tide. Where hrutal strength insensate reigns.

The people, hursting from their thrall, To savage wilfulness return! Then rocks the hell upon its throne, And howls on high, rehellion calls, And, vew'd hut to a peaceful tone, The signal gives for savage hrawls.

Now Freedom's cry is heard around; The peaceful hurghers fly to arms. The streets fill fast, the halls resound. Weh denen, die dem Ewigblinden Des Lichtes Himmelfackel leihn!

Freude hat mir Gott gegeben! Zur Eintracht, zu herzinnigem Vereins Versammle sie die liebende Gemeine. Und dies sei fortan ihr Beruf, Wozu der Meister sie erschuf: Destructive is the tiger's jaw, But far more terrible are men IVhom passions in their vortex draiw.

Woe be to him who to the blind Lends Heaven's torch! And land and city but consumet. Ood hath filled me with delight I Like a golden star, behold.

Like a kernel smooth and bright, Feels the metal from the mould I How the whole doth gleam Like the sunny beam! And in the escutcheofi's shield Is a master hand revealed.

Concordia her name shall be. In bonds of peace and concord may her peal Unite the loving congregation's zeal. And this be henceforth her vocation, The end and aim of her creation ; Above this nether world shall she In Heaven's azure vault appear, The neighbour of the thunder be.

Und wie der Klang im Ohr yergehet, Der mftchtig tfinend ihr entschallt, So lehre sie, dass nichts bestehet.

Pass alles Irdische verhallt. Sie bewegt sich, schwebt. A Toice from Heaven shall she be, Like yonder host of stars so clear, Who laud their Maker as they fiee, And lead the varied wreath-crowu'd year.

To earnest and eternal things Devoted be her metal tongue. And as she hourly, swiftly swingSi Be none of Time's great deeds unsung I And let her be the tongue of fate, Though heart nor feeling she can daia.

And rocking to and fro relate Of life the ever changing game! Chapan, a hawk rising ppr. Chaplin of Coliston, Scotland, a griffin's Henry, of Blankney griffin's head Chappie, on the stump of a tree couped, and Tathwell, Lines, a a falcon hooded ppr.

Chaplin, Cecil, 21, Grafton Street, Bond cf. Nil desperSapiens qui assiduus. Lahore Chardin, a dove ppr. Chapman, Sir Montagu Richard, Bart. Deo duce, fcrro a wreath of laurel, all ppr.

Crescil sub pondere virtus. Crescit sub pondere virtus. Chapman, Joseph John, M. Hilda Terrace, Whitby, same crest and cf. Charles, a demi-griffin erm.

Chapman, Alfred Daniel, Milton Ernest holding a halberd arg. Charlesworth, Albany Hawke, Esquire, of: Charlesworth, out of a ducal coronet a cock's head, all ppr.

Charlewood or Charlwood, a Saracen's head ppr. Charley, Sir William Thomas, D. Common Serjeant of the City of London, S92,. Queen Anne's Mansions, Loudon, S.

Antrim, and of the island of Aranmore, co. Donegal, Ireland, same crest and motto. John, Esquire, of Chol- 1 1 mondeley, Malpas, same mdiora.

I A leopard's fane gu. Charlton, on a chapeau a leopard statant ppr. Charlton of Hesleyside, Northumb.

Let the deed shaw. Fitz-Vrian, two battle-axes in saltier gu. Fitz-Walter, a heart gu. Fleming, Henry Contarini, Greenore, Clontarf, co.

Dublin, a goat's head erased arg. Let the Deid Schaw. John's Parish, Bradford, Yorks, same crest and motto. Dublin, same crest and sa.

Fleming, Alfred Alexander, Esquire, of cf. Fleming, Thomas, Esquire, of Greenore, Dublin, same crest and Fleeming of Moness, a goat's head erased motto.

Fleming of Clayquhat, Perth Bigadon, Rydall Hall, Fletcher, Westml. Pax, copia, sapi- England and Scotland, a horse's head erased arg.

James's Palace, a horse's head couped. Fletcher, a horse's and Kearsley, Stoneclough, Lanes, in front of a naked arm embowed holding a long bow, two arrows in saltire points downwards, all ppr.

Becta Fletcher, in fess, pete. Fleming, a dexter hand gauntleted holding a sword, all ppr. Flemyng, a dolphin arg.

Flemyng, England, and Flemynge, Scotland, a hand issuant plucking a rose. Droit comme ma fiSche. Fletcher, a talbot sejant. William Dudley Saul, B. Sligo, a demi-talbot rampant gu.

Fletcher, Charles William Corrie, M. Sub cruce sal us. Fletcher, Frederick Brandstrom, Esquire, M. Libertate extincta, nulla virtus. Fletewlkes, an arm embowed vested and cuffed arg.

Flexney, a dexter and a sinister arm shooting an arrow from a bow, all ppr. Flint, Scotland, an etoile. II Fletcher, three arrows, two one in fess ppr.

William George Dimock, in the centre by a saltire wavy sa. Flitt, on a mount a dove, all ppr. MichaeFs Vicarage, Alta pete.

Shrewsbury, same crests and motto. Fletcher, on a cap of maintenance gu. Fletcher, a dexter arm in armour em- Flood, Ireland, a wolf's head erased arg.

Flood, a chevalier on horseback in com- Flint, out of a cloud an etoile arg. FLO Flood, a chevalier in armour on horseback holding in.

Floyer, Dorset, a buck's head erased or, holding in its mouth an arrow arg. Canon of Redland Floyer, Rev. Flower, a flower erm. Flower, Surrey, issuing out of clouds a Flux, William, Esquire, late of Bibury Court, near Cirencester, Glouc, upon cubit arm erect, holding in the hand the trunk of a tree fessewise eradicated a rose and a lily, each slipped, all ppr.

Flower, Arthur, Esquire, J. Flower of Aston Clinton, Tring, issuing from clouds a cubit arm erect, holding Flynn, a hand couped at the wrist graspin the hand a rose and a lily slipped, ing a serpent ppr.

Honor prceiniiim all ppr. Foley, Surrey, a lion rampant arg. I Foljambe, Staffs, a leg couped at the thigh quarterly or and sa. I and Yorks, a lion's head ersised sa.

Fodringham, Yorks, a buck ppr. Robert Thomas, of Knockacouped arg. Qui Foljambe, Yorks, an armed leg couped at the thigh quarterly or and sa.

S Foljambe, George Savile, of Cockglode, Notts, a jamb imarmed excepting the spur quarterly or and sa. Francis John Savile, of Osberton, Worksop, same crest and motto.

Folkard, Sussex, out of a ducal coronet a demi-swan with wings expanded. Folkestone, Viscount, see Radnor, Earl of. Folkeworth, an ostrich holding in the beak a broken tUting-spear, all ppr.

Flowerdew and Flowerdue, in a maunch an arm embowed, the elbow resting on the wreath. Patiens pidveris atque solis. Foggo or Fogo, Scotland, a cherub's head ppr.

Foleborne, a branch of fir vert, fructed cf. FoUiott, Folliott, Quo virtus ducit scando. Forbes, Scotland, the sun in his splendour Folton i On a Forbes-Mitchell, see Mitchell.

Forbes, Baron Forbes , Scotland, a stag's head couped at the neck ppr. Kent, same crest and motto. Forbes of Kingerlock, Argyle, a stag's head attired ppr.

Fonce, a demi-lion rampant, ducally cj. Fonceux, a demi-lioness ppr. Fonnereau of London and Middx. Fonnereau, William Neal, of the Moat, near Ipswich, same crest.

Fonnereau, a lion rampant supporting a i. Fontain and Fontaine, a raven's nest II3- 7 with young birds ppr.

Fontain and Fontaine, an eagle's head erased ppr. Fookes, Ireland, an arm in armour embowed vert, the hand grasping an arrow ppr. Forbes of Jolly How, a stag's head erased ppr.

Forbes of Polquhor, a stag's head erased Scotland i A griffin's head and neck Fax mentis honestw gloria. Excidit amor bear's head and neck couped arg.

Trustie to the end. Carlow, a martlet az. Foote, out of a mural coronet or, a spear Altius ibunt, qui ad Foote, Kent and Cornw. Scienter Nee mons nee substrahit aer.

Foote, a naked arm erect ppr. Footner of Ladyfield, Wilmston, issuaut Forbes, Scotland, a dexter hand holding a battle-axe ppr. Forbes, mc Clintmi, Earl of.

FOR True to the end. Forrester of Dundee, Scotland, a greyhound in a leash ppr. I Forbes of Allford, issuing out of a cloud a hand holding an anchor ppr.

Forbisher, on a chapeau the sun in splendour ppr. Ford, a greyhound's head erased sa. Fort is in arduis. Forican, an elephant's head erased sa.

Forsan, a grifiSn's head per fess az. Loyal a la niort. Forser of Kelboe and Haverhouse, Durh. Forsham, a talbot's head arg.

Kilkenny, Ireland, a between as many branches vert, eared and armed arg. Forkington, a demi-greyhound sa. In corda inimicorum Begis.

Forster of Alnwick, Northumb. Forster of Cumnor Hall, a stag lodged fructed arg. Garrard of Fellingham, Norf. Garrard of Shiufield, Berks, out of a ducal coronet a demi-lion rampant az.

Garrat and Garratt, a hind sejant regardant, resting her dexter foot on a bee-hive ppr. Garraway, an escallop between two wings.

House, Aldringham, the sun rising in splendour, the rays alternately and sa. Garrioch, Scotland, on a mount a tree. GAU on a mount vert, under an oaktree ppr..

Garrow, Sussex, on a mount rert, a palmtree ppr. Garroway, Sussex and Herts, a I A demi-lion rampant, holding in the dexter paw a Gaskin of London, issuing from the sea an arm embowed, holding in the hand an battle-axe.

Ne cede up erm. Garroway, Surrey, on a rock a Cornish chough ppr. Garsett and Garsed, Norf. Garshore, Scotland, an eagle displayed ppr.

Braganstown, Louth, out of a ducal armour embowed, holding coronet or, a dexter arm in in the hand a dagger, all ppr. Garston, out of a mural coronet arg..

Gascoigne, Trench-, Frederick Charles. Yorks; i Gates, Devonsh. A conger's head couped and erect or. Gascoyne, Beds, a lucy's head erect or, Vi et virtute.

Clare, a jay ppr. GatQeld, on a ducal coronet or, a cross between two ostrich-feathers arg. Esquire, Garstin, Ireland, a Mayo, Ireland, a lion passant gardant gu.

Gascoigne, Yorks and Norf. Gasselyn and Gasselyne, an eagle displayed sa. Gastrell, Glouc, a lion's head erased ppr. Gatacre, Major-General John, same crest and motto.

Gateford, a demi-autelope ppr. Fidditur Gaskell, Yorks, a stork ppr. Gartsyde, Yorks, a stag per pale gu.

Garter, a caltrap or, embrued on the upper point ppr. A garb or, banded by a fesse dancettee Gartliside, out of a ducal coronet or, a az.

Carton, an antelope's head erased gu. Gatonby, two swords in saltier ppr. Stephen Herbert, Chief Gatty, Hon. Justice of Gibraltar, a fern brake, and rising therefrom a cock-pheasant, all Gatty, an embattled gateway, thereon a cock-pheasant rising, all ppr.

Gauler, a hawk holding in its dexter claw Gaunt, De, a cross pattee fitohed sa. Goldman, Scotland, a fox current ppr. HolyEsquire, port, Maidenhead, same crest and motto.

Gold, Wilts, an eagle's head erased az. Golder, Berks, a demi-lion rampant gar Goldesborough and Goldsbrough, a dexter hand holding a trident ppr.

Goldesburgh of London, a demi Goldflnch, Kent, a camel passant ppr. Goldfrap, a wolf's head erm. Douglas, Isle of Man i A garb Goldie.

Golding, Essex and Sufi. Golding of Colson cf. Golever, a mermaid ppr. Honor virtulis GoUop, an antelope trippant ppr. Sir John Tankerville, of paw a broken arrow gu.

Brighton, Sussex, East Titherley I Goloner, a demi-griffin ppr. Kent sustaining an anchor az. I of reeds erect or, banded az.

Goltshed, two wings conjoined or, thereon a dove statant ppr. Quis siniilis tibi in fortibus Domine. Gom, two scimitars in saltier ppr. David Gomeldon, a demi-griffin arg.

Per constanza e speranza. Gomm, Sir W'illiam, same crest ami motto. Tonbridge, Keut i mouth a cinquefoil or, leaved vert. Goldsmidt, two lions' gambs erased sup- Gooch, out of a ducal coronet a stag's head collared.

Goldsmith, Hants, a stork sa. II of Benacre Hall, Suff. Uatfield, Kent, same crest and motto. Goodridge of Totnes, Devonsh.. Wait of Woodbrough, Somers.

Pro nris el jocis. Waite and Waith, same crest. Galway, a demieagle displayed. Nidlitis in verba magistri. Walcott, Charles Thomas, same crest and motto.

Walcott, a bull's head erased erm. Wallord, two palm-branches in orle vert. Sideus nobiscum quis contra nos. Waldegrave , Chewton Priory, Bath, out of a ducal coronet or, Walkeden of London, a griffin's head erased quarterly arg.

Wakefield of Dublin, a bat displayed or. Lawford, Essex and Northamp.. Stricklandgate House, feathers per pale arg.

Walden, a winged spur, rowel upwards Walker of New Bomney, a lion's gamb " erect and erased gu. Edmund Gustavus Wakelyn of Eydon, Northamp.

Walker of Drogheda, Ireland, a lion's head erased or, gorged with a wreath holding in the dexter paw a tulip gu.

Wakeman, Ireland, a lion's head erased extended 5. Wakeman of the Craig, near Monmouth, a lion's head erased or, vomiting smoke and flames of fire ppr.

Waldoure, a wolf's head erased or. Waldron and Waldrond, Devonsh. Waldron of Clent, Stourbridge, Worcs. Wakeman or, of Chaderleigh, Worcs. Wakering, Essex, on a mural coronet or, a pelican of the same vulning herself dragon's head vert, crowned with an Eastern coronet of the first, cf.

Waldy, out of a mural coronet ppr. In omnes nut-tree ppr. A bird in the hand is worth two in the hush. Waltham, a peacock's head az.

Walton of nifton, Glouc, a griffin's head erased arg. Ward, Viscount Bangor, see Bangor. Ward, Lucas-, of Guilsborough.

Give the thanks that are due. Ward, of Great Ilford, Essex, Warw. Walton, late General William Lovelace, between two wings, each charged with a fire-ball, a griffin's head erased ppr.

Walton of Chaklack Hall, Durh. Walton of Lacock, Wilts, and of Walton, Lanes, a wild man wreathed about the loins ppr. A buck's head ppr. Astra, castra, numen, lumen.

Je voil droyt avoyre. Andrew, trefoil slipped or, Warburton, Ireland, a mermaid with her Walwyn, a pheasant ppr.

S wreathed about the temples and waist with oak - leaves, over the dexter shoulder a chain in bend sinister, supporting with the dexter hand an axe head downwards, and holding in the sinister hand an oak sapling eradicated and sprouting, all ppr.

Walton, a wild man striding forward ppr. Walton, on a chapeau arg. Canon, the Close, Winchester, same crest and motto. Warburton, Egerton-, Piers, of Warburton, Chesh.

Ward, a heraldic antelope sejant. Ward, Berks, and Birmingham, Warw. Ward, Arthur John Hanslip. Colonel 1st Suffolk and Harwich R. Aut nunquam testes a cross crosslet fitchee.

Warde, Walter Eldred, same crest and griffin's head erased. Ware, a bear passant arg. Frickley Hall, Doncaster, issuant from Place, Surrey, a martlet sa.

Usque ad mortem fidus. Warde of Broke, Norf. Bridgman Lanes, a wolf's head couped at the an eagle displayed erm.

WardeU or Wardle, a lion's gamb holding Waring of Waringstown, co. Nee ri nee a spear ppr. Antrim, an eagle Ward-Boughton-Leigh, Rev.

Theodosius, close regardant ppr. Mox sese altollit bend. Oswald Pryor, in auras. Ward-Boughton-Leigh, John Hugh, 67, Warden, a peacock's feather and two charged on either wing with an annu- aut Albert Hall Mansions, S.

Wanganui, New Zealand, Judge of the dustria et spe. Kia kaha ki te mahi tika. Waringe, Ireland, a rose or, barbed vert. Warley, a tree ppr.

Staffs, and of Oakland, Wolverhampton, Familias firmat pietas. Warley of London, out of a mural coroStaffs, ki front of a cubit arm ppr.

I grasping an arrow in bend sinister or, Wardlaw, Sir Henry, Bart. I hilt and pommel of the third. Wardall, a boar's head and neck or.

Warde of Hurst, Beds, a wolf's head unicorn's head erased arg. Warde of Clopton House, Warw. I mullet of six points of the last. Superna Court, Maidstone, same crest and sequor.

Andrew Bruce, same his dexter shoulder ppr. CarUsle, in front of a demi-lion az.. Warne, a horse-shoe wings ppr. Holland, 37, the Drive, Hove, Sussex, a horse-shoe reversed between two wings.

Warnefor'd of Warneford Place, Wilts, a Warne, ' garb ppr. Warner, Edward Hanley, Leics. Nou nobis tantum erm. LeodeJuda oak - tree ppr.

Warner, Ireland, a badger passant sa. Ex sudore Warner of Strowd, Midds. Mox virtute se tollit ad t,.. Deo adjuvante non ti7nendum. Be just and fear not.

I I of London, Norf. Warner, Yorks, a Saracen's head affrontee ppr. Warner j Warren, Middx. En avant si je puis. Warren London, a talbot ppr.

Warner, ; Patrick, of Ardeer, Ayrsh. Warr, a cross fleury fitohed gu. Warrand, out of a ducal coronet demi-lion erm. Warre of Chipley, Somers.

Warre, Bart, extinct , of Hestercombe, Somers. Warren, Baron de Tabley, see De Tabley. Warren, on a chapeau gu. Samuel Percival, of Balaz.

Warren, a coney sejant in a fern-bush. Warren of Hedbury, Devonsh, Warren of London, out of a ducal cororampant chequy or and az. Warren, Sir Augustus Riversdale, Bart.

Cork, a Uon sa. Fort una rampant holding a crozier ppr. Albans, Herts, a lion's gamb erased arg. Warren of Aldenham, Herts, out of a Warren, out of a crescent arg.

Omne tulit punctum qui miscuit tttile panded chequy or and az. Warren of Poynton, Chesh.. WAT Waterhouse, Ireland, an eagle's leg or, conjoined at the thigh to a wing sa.

Waskett of Pentlow Hall, Essex, a lion rampant gu. Cave et felix esto. Warter or Wartur, a fox sejant ppr. Warter of London and Essex i rampant sa.

Vi Indus non coactns. Warter-Tatham, Henry de Grey Warter: Wasse of Wickham, Bucks, a demi-lion rampant arg. Warton of Beverley, Yorks, on the stump Wastell, Northamp.

Vix ea nostra voco. Warwick, a leopard's face or. Warwick of Warwick, Cumb. Was8 of London, and Rotherby, Leics. Wase of Storrington, Susses, a dcmiing in the beak an escallop or, a lion rampant arg.

Warters, Ireland, a lion rampant arg. Wartnaby, a lion's head erased or. Non dormiat qui custodit. Incorrupta fides nndaque Veritas.

Wason, Eugene, Esquire, M. Per ardua ad alta. Waterlow, a demi-lion gardant az. Cork, on a ducal coronet or, a snake nowed ppr.

Waters of Sarnau, Carmarthen, a demi- Honor pietas. Waters, a demi-talbot arg.. Waters of Newcastle, co. Limerick, Ire land, a demi-heraldic tiger per pale indented arg.

Waterton, a goat's head erased or, col- lared gu. Better kinde frembd than frembd kyen. Washborne, a hand holding a dagger ppr.

Washbourn, Henry John, Waterford i A dragon's head erased az. Down, Bristol, a dexter cubit arm erect vested sa.

Veritas Watkin, Sir Alfred Mellor. Chester, a cock's crest. Watson, Thomas Wright, Esquire, Lubenham. Market Harborough, a griffin's head erased arg.

Esto quod esse videris. Watson, Lieutenant-General George Vincent, a griffin's head erased ppr. Watkins of Badby House, Northants, a head erased gu.

In portu griffin's qnies. Watmough or Watmoughe, a ferret passant sa. Sic iiitr ad astra nee aspera ferrent. Watkins of Pennojrre, Brecknock, a dragon's head erased vert, holding in the mouth a dexter hand couped at the wrist gu.

Pen aur y chalon wir cj. Sir John, Shermanbury of Conington, Cambs, a griffin's head erased sa. Watney, Daniel, 2, Endsleigh Street, W.

Watney, 1 Watney, Vernon James, industria. Henry James, Canwick same crest and motto. Watson, Sir Arthur Townley, Bart.

William Watson of Wath Cottage. Yorks, issuant from issuing from a cloud, all ppr. A Deo a sun rising in splendour ppr. Inspiratur Watson of Muirhouse, co.

Fjyddlawn griffin's head erased arg. Watkins, a cubit arm erect, the hand Watson, late John, Esquire, of Whitney grasping a tilting-spear in bend sinister Terrace, Bowdon, Chesh.

II a griffin's head erased az. Esto quod Watkinson, an hourglass winged ppr. II Watkinson, an eagle's head erased az.

I grasping a sabre, all ppr. Watson, the Scotland, a derai-gryphon holding in his dexter claw a dagger ppr.

In hoc signo vinces. Watson of Low Hall, Shropsh. Watson, Hants, on a chapeau gu. Watson of Hardendale, Westml.

Watson of the hand an anchor az. Watson Watson of Turin, Scotland, a lily of the Gosberkyrke, Lines, an otter passant ppr. Watts, Wilts, of Cotlington, Somers.

Watson a ship under sail ppr. Lahore Watson, an oak-slip ppr. Esto quod esse Watts, a griffin's head erased holding in Watson, William Livingstone, Esquire, videris.

Insperata sinister charged with a fess crminois between House, Bucks, an oak-tree ppr. Henrietta Street, Cavenneck with a fess embattled az.

Va presto ma sano. Mea Watt of Speke Hall, Lanes, a greyhound ostrich-feathers of five Non eget Mauri jarulis neque arcu.

Watts, William Henry, J. Fide sed cui vide. Watson, John William, Esquire, of I Watts of Hockwold, Norf.

Gerrard's Cross, Bucks, a demi-hind Fortis in Fide et fiducia. Watt-Gibson-, of Doldowlod, Radnorsh. Watur, a garb per pale or and arg.

Watte, Kent and Somers. Watters, Andiew, of Belleville, Edinburgh, a talbot's head erased arg. Wauch or Waugh, out of a ducal coronet a dexter hand holding a sword erect, 2 1 2.

Edinburgh, Industria Scotland, a wheat-sheaf or. Wayneman of Fringeford and Thame: Industria for decrit alter aureus.

I Waynewright, a lion rampant arg. Tipperary, Ireland, a demi-eagle displayed gu. Malo mori quam and issuant therefrom a reindeer's fn imus.

Weare, Henry Oxenden, 6, Courtfield jadnri. An eagle displayed sa. Wauton, a trefoil slipped and voided sa. Webb, Glouc, an eagle displayed sa.

Webb of Weobley, Heref. Esquire, Tan-y-gareg, near 2 couped ppr. Tenez displayed issuing out of a ducal coronet merui tneum est. Sir Samuel James, Bart.

Way, Edward WiUis, L. S Way, an eagle '. Way, Lewis John, Spencer Grange, erased ppr. Great Yeldham, Essex, same crest.

Weaver, James, Esquire, cf Worcs. Sligo, Ireland, a mail holding in the hand ppr. Esto in the mouth a pear slipped ppr. John age, near Bristol, same crest and motto.

Webb, a demi-eagle displayed, holding in Webb of Castle Leckey, co. Londonderry, out of a ducal coronet or, a demi-Uon the beak a cross crosslet fitched.

Way of Kilree, co. Kilkenny, a dexter rampant az. In hoc signo vinccs. Otago, New Zealand, a pelican in her erased, ducally gorged. Wayne of Quorndon House, Derbysh.

Waynflete, a griffin's head erased vert. Quid Xulla palltscere culpa. Tipperary, same crest and motto. Bryn Llewyn, Corwen, North Wales, same crest and motto.

Hanmer, 25, Onslow i A ducal coronet Gardens, S. Aquila non 2 above. An eagle Webb displayed sa. Webb of London, out of an Eastern coronet or.

Webster, a weaver's shuttle in pale. Son de- — Webb, a broken spear in three pieces, the headpiece in pale and the others in saltier ppr.

Wedderburn, Bart, attainted , of Blackness, Linlithgowsh. Aquila non captat muxcas. Vincit displayed, all or. Glyn Dderwen, near Swansea, same quarterly vert and or.

Carpe swan's beaked Wedderburn, Ogiivy-, land: Aquila non captat i Same — Webber, Scotland, a hawk jessed and crest.

Webber, William Downes, Esquire, J. Sligo, Ireland, a wolf's head couped per pale arg. Helen's, a dragon's head erased.

Webber, Incledon-, Duncan Harold: Webster of Chester, a dragon's head erased quarterly per fesse indented or Weedon, Bucks, Dorset, and Lanes, a hedgehog sa.

Cari Deo nihilo carent. Webber-Incledon, Laurence Charles, Esgij. Webber, a demi-lion gardant or, holding A Webster, Scotland, the suu rising from the sea ppr.

Weddall of Stebenheath, Middx. George on the same. Weddel or Weddell, a battle-axe in pale ppr. Hampton Lodge, nihilo carent. Weeks, a dexter hand holding a scimitar ppr.

Webber of Badialton WeddeH, a hawk hooded and Court, Weever of Kingston and Prestine, Surrey, an antelope trippant erm. Webbes, a hand couped at the elbow Wedderbourne or Wedderburn, an eagle's head erased ppr.

Edward John, Wedderburn, Rev. On the dexter side a stag lodged in 2 A demi-lion arg. On the sinister side an head an Eastern crown or, the dexter 2 eagle's head erased ppr.

Aqiiila non capiat muscas. Wegge, a hand from the wrist in a gauntlet. Vols, retired , of Belmont, Heref. Wegg or Wegge A: Blundel , Lanes, a squirrel sejant gu.

Grantham, same crest and motto. Weir of Dublin, a demi-horse in armour Nihil ppr. Campbell, 51, Albany Street, sa. Giles, Malvern Link, Worcs.

Weir of Kildonan, a demi-horse arg. Walter Hugh Earle, St. George's Lodge, Byde, same crest and motto. Gosberton i A man's head in profile couped at the shoulders ppr.

Weldon of Swanscombe, Kent, the bust of Queen Elizabeth ppr. Weldon, Sir Anthony Arthur, Bart. Kildare, and Kilmorony, Queen's Co. Welch or Welsh, a demi-wolf rampant Weldon, a demi-lion rampant arg.

Weldon of Sbottisbrook, Berks, a demi I lion rampant arg. I bezantee, gorged with a collar gobony Bienfait.

I a ring or. Gwell angeu na chyywilydd. Weiss, Henry, Esquire, J. Welborne of Burport, Dorset, a hand Weld, see Forester.

Nil sine Ijowed issuing from flames ppr. Welford or Welsford, Heref. Wellan, a demi-lion holding in the dexter paw an estoile, the sinister resting on the wreath.

Weller, a demi-lion rampant holding in the dexter paw an estoile. Weller, a laurel-branch fructed ppr. Welles, De, an ostrich's head and wings arg.

Welles of Saltash, Cornw.

Jeder sonnt messi olympia heute so gem. If what he derided made sense only when applied to some of his contemporaries, then the Intermezzo might indeed be out of place here. With iWhga of joy I'll flee away To yonder life's eternal day. Why wert thou not a creature wanting soul? Watmough or Watmoughe, a ferret passant sa. He considered the rhyme an irisufficient excuse for the confessor: The stag at bay becomes a Sheridan. Wake, O mind, in nte, exulting, Melt in song with holy seal, Sound as doth the bell of silver, Echo like the organ's peal! Per mare, per terras. Casino online estoril or Wardle, a lion's gamb holding Waring of Waringstown, co. He counts the forms to' him so dear, Lo I all are left to cheer his path. Alport, Virtutis regia merces. Why do you dream on your poetic height?

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Nor is Dante's Commedia a comedy in the sense now current. And, more to the point, many. As Mephistopheles says of Gretchen: We never see him hunted by the furies, like Orestes: Rather, he loses his sight when he is a hundred years old, just before he dies in a moment of elation.

Faust's suHerlngs are incidental. In Faust, tragedy engulfs not the hero but representatives of unheroic, nono Aphorism , pp.

Introduction 9 outstanding, suffering humanity: The death of Philemon and Baucis in the fifth. It is another episode, no more. The drama is epic, the effect cu..

In all these respects Faust is distinctly un-Greek, nonAristotelian, modern. It reminds us of Ibsen! Happily, one need not choose; but the case for Faust must certainly depend upon a very different conception of the drama from the one Nietzsche derided.

But Goethe himself knew that. As if I myself knew that and could express it! When, however, ,I' did for' once wish as a poet to represent an idea, I did it in' shorter poems.

The only creation of larger scope in which I am aware of haVing worked with some central idea might be my Elective Atfinities. That made the novel comprehensible to the understanding; but I should not say that this made it better.

My opinion is rather this: The m01'e incommensurable and incomprehensible fo, the understanding a poetic creation may be, the better. With their profound thoughts and ideas, which they seek everywhere and project into everything, they make life harder for themselves than they should.

Almost everybody hies to be profound; where the Germans in the "nineteenth century sought ideas, the twentieth-century American seeks recurring images and symbols.

Goethe, however, was not heartless. He laughed at the scholars; but he took pity on them. In a Conversation -he remarked: Indeed, one should indulge in such jokes more often while one is young.

What is truly astonishing about 4 Historical background.. A vast amount of scholarship has been devoted to those ancient andmedieval legends which in tiP1e caIne to.

The reason for nevertheless sketching a few high points is twofold. Some possess considerable human interest. And the claim that Goethe's play is much more modern than is usually supposed should not be based QD Introduction 13 a complete refusal to consider the historic background of his drama.

The historic Faust was born, it seems, in Knittlingen, Wiirttemberg, about In those days, magic was also taught at the Universities of Salamanca and Toledo.

There are reports that Faust dis.. Needless to add, Luther and Melanchthon regarded Faust with horror and contempt. Others, more impressed by him, induced him to teach school, but it is said that he molested the boys entrusted to his care and, found out, had to flee to escape punish: Many traditions connect him with the city of Erfurt.

The story goes that at the university there he lectured on Homer,. But I have gone further than you think and have pledged myself to the devil with my own blood, to be his in eternity, body and soul.

How, then, can I return? Or how could I be helped? I have deliberately despised God, have committed perjury and faithlessness against him, have believed and trusted in the devil more than in 14 Introduction God; so I cannot come back to rumor console myseH with his grace" wruch I have lost.

Nor would it be honest or honorable if it had to be said about me that I had gone against my letter and seal, which after all I signed with my blood.

The devil has kept faithfully what he promised me; so I, too, want to keep faithfully what I have promised and pledged to him. Another story relates that Faust rode out of Auerbach's Keller in Leipzig ona barrel-in , to be exact.

Melanchthonwas among those who claimed that the devil accompanied Faust in the shape of a. Faust is said to have died in Staufen im Breisgau in The mst I'Faust Book" appeared in It was written in German, and the title page announced: Johann Faust, the widely acclaimed magician and black artist, how he pledged himself to the.

Compiled and prepared for the printer in several parts out of his own literary remains, as a horrible example and sincere warning for all conceited, clever, and godless people.

Submit to God, resist the devil, and he will flee from you. Cum Gratia et Privilegio. Printed in Frankfurt am Main by Johann Spies.

Then Spies published a second edition, a version in low German appeared in Lubeck, a rhymed version in Ttibingen, a Danish translation came out in , and a History of the Damnable Life and Deserved Death of Dr.

John Faustus made its appearance in England. Introduction 15 Christopher Marlowe was the first great poet to take up the theme. Ah, Faustus, Now hast them but one bare hour to llu8, And then thou must be damn'd perpetually!

Oh, Pll leap up to my Godl Who pulu medownP Seei see where Christ's blood streams in the firmamentl One drop would save my soul-half a drop: Ah, half the hour is pastl 'twill all be past anonl Introduction 16 o God.

Why wert thou not a creature wanting soul? Or why is th18l. Now, body, turn to air. Ot Lucifer will bear thee qUick to hell.

Godllook not so fierce on mel Enter DevO,s. If there must be tragedy, he would bring it about without benefit of the clergy: It is even arguable that Goethes ending, at least in the Urfaust-in the later version he added, after Mephistoplleles' "She is judged," a voice from above proclaim..

In Goethe's play, the question whether she is "judged': Goethe retained much of. For it was part of Goethe's genius that he could be serious with..

For a genius can be sparked only by a genius; and best of all by one who seems to owe everything to nature alone and thus does not repel by the troublesome perfections of art," Even if we invoke the ancients as models, Shakespeare is a far greater tragic poet than Comeille, although the latter knew the ancients very well and the former hardly at all.

Doctor Faust contains a lot of scenes which only a Shakespearean genius was capable of conceiving. You wish for a German play full of such scenes?

Of the ending, the letter says: Dot triumphl' the angel shouts at them; cyou have not vanquished humanity and. Engel, informs us that in the,.

Everything that happens to this phantom is a dream vision for the real Faust who is asleep: But Lord Byron is great only as a poet; as.

Thus he does not know either how to. Introduction 21 The question remains: The marvel of Faust is, first of all, that in a relatively small space it reflects the poet's whole career from his twenties to his eighties-the whole range of his impressions: Most of his other works reflect a single stage of his development, one or at most two styles, and thus give no idea of his versatility and his, sustained growth.

Faust is the whole opus in microcosm. Next, the immense power of Goethe's characters should be noted. Faust leaps out of the book.

Millions of young men decided they were like Faust, and some found the German destiny inbound;. Schopenhauer, in The World as Will and Representation , considered such striving as the essence not merely of man but qf the cosmos.

It is, moreover, one of the devices by which Goethe makes Mephisto an engaging personality in spite of everything. Even as Shakespeare enlists our sympathy for Lear and Coriolanus-although they behave repulsively in many ways-by wisely choosing their antagonists, Goethe forces us to sympathize with Mephistopheles.

Unlike Faust, Mephisto has a sense of humor and is even capa. It may well be that Mephistopheles is Goethe's greatest single creation, and that he has come into his Introduction own only in the twentieth century, after, Heine and Kierkegaard, Dostoevsky and Nietzsche, Freud and Shaw, Gide and Joyce, Mann and Sarb;e-who would hardly be offended at being called Mephisto's progeny -had changed our sensibilities.

It is a commonplace that Goethe's Prologue in Heavenis modeled on the first two chapters of the Book of Job, but it has not been widely noted how much his Mephisto owes to the few lines spoken.

Does Job fear God for nothing? U And after God has. All that a man has he will give for his life; but put forth your hand now and touch his bone and his flesh" and he will curse you to your face.

And it was Goethe, too, who fused this nihilism with his own inimitable sense of humor, now broad and earthy, now acidly penetrating.

Some critics still lament the fact that some of Heine's tenderest poems are punctured in the last line by a ruth-. They do not deny that this is specificaJly modem, but it is an aspect of modernity that they oppose.

It was partly for this reason that the early twentiethcentury poet Stefan George, and his very influential "Circle," considered Heine an arch-villain.

They had other reasons, too; for example, Heine's immensely witty but nasty polemic against the poet Platen, though written in , was in many ways applicable to Stefan Georgenot only as a man but also as a poet.

George's followers, ranging all the way from the perceptive Friedrich Gun.. They considered him the ancestor of modern journalism.

But it seems far more just to see him as a link between Goethe and Nietzsche as Nietzsche himself saw Heine -a link between Faust and the twentieth century.

Goethe realized the limitations of romanticism and its questionable character even before romanticism had become the style of an age.

The very figure of Faust which inspired romantic poets, philosophers, and composers, and was accepted by the German people as their own ideal prototype-this poetic but unscrupulous titan who, for all his noble sentiments, becomes involved in brutal deeds The function of Mephistopheles resembles that of Heine's sudden sarcasms: Thus Goethe"s Faust is closer to Ulysses than to the Odyssey.

It is one of the first and greatest works of modern literature. A German commel'ltator complains that "Methistophe.. Kommentar und Erlauterungen, 4th ed.

The commentary is scholarly and helpful. The other characters in Faust are of much smaller scope-and meant to be-even Gretchen.

Lieschen has orily a single, very short scene; so does Valentine. Drafts for both scenes were included in the Urfaust; so was the characterization of Wagner, earlier in the play, and the de..

What a contrast to the great lengths of Part Two in which it single notion is again and again spun out for pages-for example, Mephistopheles' invention of paper money and, also in the first act, the manner in which the women find fault with Helens apparition, while praising Paris to the skies, and the men do just the opposite.

Goethe, like Shakespeare and most great artists, was not always at his best. But in almost all of Part One and in the last act of the Second Part as well, his economy is as impressive as his wonderful array of char..

Another feature of the play that approximates perfection is the craftsmanship of the construction. We seem to be confronted with an "epic theatre" over a hundred years before Bert Brecht.

Even Part One appears loose l , Introduction 26 and episodic: There are choruses of many different kinds, some serious, some whimsical; and the variety of styles is extreme.

Moreover, the saucy quatrains of the. Oddly, the text becomes much less obscene. One gathers that the publisher. The exchange between Mephisto and the old witch, with whom he dances, was bowdlerized in the same way: But these are trifles.

Faust has Hed after killing Valentine; Gretchen is alone The play is not called "Margaret" but Faust; so Gretchen's agony is slcetched,inbrieHy with a fe: At the Well, City Wall, and Night have alhbut brought it to a c1: But where is Faust while Gretchen's misery passes endurance?

At the WalPllrgis Night; seeking forgetfulness, not quite succeeding. Even insofar as Faust is a representative character and not only an individual in a play, the contrast between Gretchenl's agony and Faust's Walpurgis Night bears the stamp of genius.

The Walpurgis Night's Dream is more probiematic. Clearly, he didn't; and the "Dream" Introduction helps to remind us of that. These two scenes contain some allusions which may stump the modem reader.

None of them is important, and the reader who ignores them does not miss much. Elend, in the initial stage direction, is the name of a.

Proldophantasmist means "Rump-ghostler,'" and the character so deSignated is a caricature of Friedrich Nicolai He also published some travel books.

The Prater is a famous park in Vienna. In the Intermezzo the reference to Mieding, in the second line, pays tribute to J.

Mieding of the Weimar theatre, on whose death, in , Goethe had written a long poem. The Xenien, like the Intermezzo, can be enjoyed without erudition: Two examples may show what is meant.

The first was written by Schiller: Do you desire to please the. Give us a picture of lust-and the devil beSide it.

The second was one of Goethes Xenien: When you blasphemed the gods of the Greeks, Apollo hurled you From Mount Parnassus; but you are assured of heaven.

After the Xenien have had their say, Hennings appears. August Adolf von Hennings had published a journal, entitled Genius of the Age, and had attacked Schiller in it.

In , he changed the title to Genius of the. Goethe evidently thought that Hennings had not been kissed by the muses and might as well have invoked witches.

If what he derided made sense only when applied to some of his contemporaries, then the Intermezzo might indeed be out of place here.

Vollstiindige Ausgabe letzter Hand. The- first 40 volumes had appearedtlllder Goethe s own editorship, beginning in The first attempt to stage nearly the whole of Part One came in , under the direction of Otto Devrient.

He was also the: But these figures give no adequate idea of! The relative unpopularity of Part Two is due to many factot: Goethe never gave it the ruthless.

You may say that in that way it was after all the prod.. Goethe was ahead of his time: Though at times he forced himself to.

For the translator, who must dwell carefully on every line, Part Two contains enonnous lengths, and what lies between the first scene and the last act is not altogether tempting.

To let Goethe speak English is one thing; to transpose into English rus attempt to imitate Greek poetry in German is another. Those who wish to study Part Two but have no German should find the Victorian archaisms of existing English versions one of the lesser ob..

It is my hope that those who would like to enioy Goethe's Faust-as opposed to those who want to be able to say that they have read it, all of it-may find the present version readable from beginning to end, and as faithful as any.

Part One and the first scene of Part Two are oHeredwitbout omissions. So is the final act. Some readers may appreciate a sUmmary of the intervening scenes.

Obviously, any such synopsis is hound to be almost farcical: The following summary begins with the second scene of Act One of Part Two. The court of the Emperor lines S The Emperor asks about his fool and is told that he collapsed,.

The discussion turns to the serious shortage of money at the court. Christians wish they weren't. That's how the well-trained mind 18 known to me.

The Emperor, not interested in the dispute, is eager to get money, and Mephisto tells him that whatever lies Introduction 33 under the Emperor's land is his.

Mephistopheles is told to produce money; but meanwhile, everybody is looking forward to a carnival and masked ball. Everybody leaves, except Mephisto, who speaks the often quoted words: The way desert and fortune blend, The fools will never comprehend.

Large room, decked out for a masked ball lines This scene is as long as Part One from Faust's opening monologue to Mephistopheles' first speech, or from "The Neighbor's House" to the "Walpurgis Nighr' ; but it is not distinguished either by many striking lines or by any magnificent characterizations, and it contributes little to the action.

Faust and Mephistopheles perfQrm some magic. Pleasure garden lines The invention of paper money is completed, with notes announcing that they are worth a thousand croWDS, backed up by the security of the buried gold.

Gloomy gallery lines Faust iriforms Mephistothat the Emperor wants to see Helen and Paris, without delay. Mephisto explains that the ancient pagans are not his business because they dwell in a hell of thea own; "but there, is away.

He must touch the tripod with the key, the tripod will then follow him on the way back; and once he has that, he will be able to conjure up Helen and Paris.

Brightly illuminated halls lines A blonde, a brunet, a lady, and a page boy crowd around Mephistopheles to receive his advice, in turn.

In the first three cases, he relies on magic; but to the boy he says: Look for an older paramour. Hall of knights lines The court has assembled to see Helen and Paris, and Faust appears to conjure them up in the name of the Mothers.

When Helen appears, Mephisto is the first to comment: So that is she! The men are enraptured; the women find her head tOG small, her feet too plump-and don-t consider' her good enough for Paris.

Paris,however, embraces her and lifts hel'ofI the ground to carry her away. Faust, consumed with jealousy, resolves to stop PariS, rushes toward him, and touches him with the key.

There is an explosion, Faust falls to the ground, the spirits pf Paris and Helen evaporate, and Mephistopheles picks up -Faust, as the act ends in darmess and tumult.

High-vaulted, narrow Gothic room, once Fausfs den, unchanged lines' Mephisto emerges from behind a curtain and, as he looks back, one sees Faust lying on a bed, still unconscious.

A Famulus enters; he has taken Wagner's place, while Wagner has taken Faust's; but Wagner has left Faust's study untouched be.. Mephisto wants to see Wagner, but the Famulus hesitates to dishub him.

Almost as soon as the Famulus leaves, a Baccalaureus enters-none other than the student whom Mephisto ad..

Introduction 35 You do not seem to know how rude you are. In German, this line is often quoted, as is the retort: When you're polite in German, you are lying.

At that point, Mephisto, whose chair has casters, rolls forward to the front of the stage and addresses the audi.. Up he,e, I fear, I'm quite unpopular; Will you g,ant me asylum, if he becomes too trying?

The Baccalaureus continues to denounce the old and suggests that a man pa. When the latter appeared in , Schopenhauer was just over thirty, and in any case the half-ba.

In a few yea,s the young man wUl have changed; There is no danger, he may turn out fine: Although the must behaves as if deranged, Eventually we get a wine.

To the younger spectators in the orchestra, who do not applaud: My words appear to leave you cold; You child,en need no reprimand: You see, the devil is quite oldG,ow old and you will understand.

Laboratory, in the medieval style, with elaborate 36 Introduction and clumsy machinery for fantastic purposes lines Wagner is at work and informs Mephi..

And whatpair in passion H: If animals still like that kind of prank, The human being with his gifts must win Henceforth a purer, nobler origin.

Soon Homunculus, the little artificial man, comes to life in his test tube, eager to be active. A side door is opened, Faust is seen on his bed, and Homunculus is asked to show what he can do.

Mephistopheles sees nothing, and Homunculus derides him because he comes from the north and lives In a sad mess of knights and popery; How could your eye, my friend, be freeP You are at home only in gloom.

They decide to leave Wagner behind, though he is afraid that he will never see HomuD,culus again. The scene ends as Mephisto says, ad spectatores: In the end, we are dependent Upon creatures we have made.

First we see "Pharsalian Fields," and Fausfs first words are: UWhere is sher Soon he leaves and the scene shifts to the Upper Peneios, where Mephisto, soon joined again by Faust, encounters sphinxes and sirens.

Then weare taken to the Lower Peneios where Faust engages in a long dialogue with Chiron. Back at the Upper Peneios, we even..

Socratic philosophers, arguing whether water or fire has played the decisive role in shaping the earth.

B elore the palace 01 Menelau8 at Sparta lines Helen appears, and speaks: Phorkyas appears, and a heated argument develops. Eventually the scene shifts to the 2.

Inner Courtyard lines ! Here Faust appears at long last and addresses Helen: Instead of the most festive greeting owed you" Instead of a respectful welcome, I Present in chains to you a servant who Betrayed his duty, cheating me of mine.

In Act Three, too, he speaks in rhymes, while the other characters still Hellenize, and he explaihs movingly how Helen's beauty so stunned him that he forgot to signal her arrival.

Helen forgives him, Faust offers her all he has, and soon she expresses her admiration for Lynceus' mode of speech-the way one word follows the other to caress it.

And she begins to complete Faust's sentences with rhymes. Soon both abandon the Greek mode and speak in rhymes, but Phorkyas enters to warn them that Menelaus is approaching, with his army.

Faust instructs his armies to repulse the attack and th. Arcadia lines After the chorus and Phorkyas have held the stage for a while, Helen, Faust, and their son Euphorion appear.

Introduction 89 Should I view it from a distance? No, I share their grief and pain. An ancient word, alas, applies also to me: That beauty and good fortune are not long united.

Persephonia, accept thou the boy and mel "She embraces Faust, her body vanishes, dress and veil alone remain in his arms.

Phorkyas, in the proscenium, raises herself to gigantic height, steps down, takes off mask and veil, and shows herself as Mephistopheles in order to of..

A cloud approaches, parts, and Faust emerges. After a fine soliloquy, 1. The boots stride on rapidly. Mephisto spices his remarks with quotations from and allusions to Ephesians 6: Faust explains his desire to win land from the sea: At that moment martial music is heard, and Mephisto explains that it will be easy to gratify Faust's wish: N ow every child likes knightly storie8.

The three men, Faust, and Mephistopheles descend, as the scene moves to 2. The Foothills lines 10,;10, After the three are dispatched, Mephisto enters.

In the end, Faust and Mephisto win the battle by magic. The end of this scene may be reproduced without omission because it is the part of the play that Goethe finished last.

Having been written after the end of Act Five, it leaves no doubt about Goethe's unchanged attitude toward the church.

Unlike some of the romantics-and Richard Wagner fifty years later-Goethe never abandoned his hostile attitude.

The point would not need laboring if the conclusion of the play had not been mis- 41 Introduction understood at times. What bitter pain I feel, as I nnd i9.

Both God our Lord, and our dear father Pope you're mocking. And when the latter hears it,. He has not yet forgotten how at the jubilee, When you were crowned, you set the sinful wizard free.

Harming Christianity, it was from your high place That his accursed head was first redeemed by grace. Therefore, beat now your breast; of your sinful delight Give to the sanctuary a tiny little mite.

That wide strip of the Inountains, where your tent was erected, Where evil spirits joined by whom you were protected, Where to the Prince of Lies you listened willingly, Introduction 42 Give, piously instructed, to our sanctuary; The hills and the thick forest, as far as they extend, The.

Thus your repentance wills it, and thus you shall find grace. I am so frightened by my sin, I must submit: The desecrated region where all these sins were done Must be turned over now to serVe the Holy One.

In rnymihd's eye, the walls leap up like flames of fire, The sun's rays, when he rises, aheady hit the choir; The church now forms a cross and grows into the sky, The faithful are delighted, the nave grows long and high; And through the mighty portal, they stream in pious legions, As for the mst time now the bell peals through these regions; It sounds from the high tower, they seek God's altitude, Repentant comes the sinner to find his life renewed.

The day of consecration-oh, that it might come soonl- Introduction 43 Shall from your presence, sire, receive the highest boon. May such a glorious work proclaim my pious mind And praise God, our Lord, while I forgiveness find.

My mind is lifted aheady and feels free. As chancellor I now ask a mere formality. A formal document to give the church this treasure, Present when you are ready, and I shall sign with pleasure.

Then you give for the church, while it originates, All income of the land: For worthy preservation Requires much; so, too, a good administration.

For the construction, then, on such forsaken soil You give us some odd gold out of your bounteous spall. Moreover, one will need-I cannot help but sayWood, lime, and slate, and things that come from far away.

The people do the driving, as our priests request; The church will bless the man who drives at her behest. The sin that I incurred is grievous, I confess; The fatal magic folk cause me severe distress.

Forgive, my LordI You gave the ill-reputed man 44 Introduction The imperial beach; the church will answer with the ban, Unless you give the church, with a repentant.

The land is not yet there, it is the ocean's ground. Who has the right and patience, his time will come around. For us your solemn word shall keep its ancient power.

Thus I might sign away my empire in an hour. As much of the pre.. Not only are there. In the Prelude in the Theatre, one expects poetry ,only from the Poet-not from the Director and the Clownand the Prelude sets the tone for the whole drama.

Goethe does not say '''priest: O'ccasionally,Goethe employs unrhymed lines and pas.. Goethe also often employs -impure rhymes, in lyrical.

Part One and the portions of Part Two offered here are eminently -readable and offer no great difficultiesthough for anybody inclined toreHection there is surely a great deal to think about.

Edgar Allan Poe once remarked that a long poem is almost a contradiction in terms, and he explicitly denied that 6'there is, in extent, any advantage to counterbalance the loss of unity which attends it.

Of course, Faust did not simply t 10 Translations. No translation of ,a world-historic poem equals the original. Those who sing FitzGerald's praises do it, in effect, by insisting that the original of Omar Kbayyam 'was no major work; and that FitzGerald's quatrains are really not translations at all.

When we tupl to poems with which Faust invites comparison, the case is clear. No translation of Dante's Commedia rivals the orig..

But they set a standard: Meter should be preserved as far as possible; and one has no right to add or subtract lines.

Second-rate material may benefit from such generosity, but not major poems-not even when the translator himself is a good poet. Schillers Gennan version of Macbeth ,does not compare with Schlegefs efIorts, precisely because Schiller, though a greater poet than Schlegel, was much freer and interpolated speeches and removed the Porter scene.

His version, intended for a performance on. Some English translators of Faust have seen nt to add a great deal of their own. Anster's version, for example, has gone through over thirty editiolls, though he thought nothing of occasionally more than doubling the length of a speech.

If anybody can produce a collection of passages better than Goethe's, let him offer these creations as his OWDwith apologies to Goethe, if necessary.

Most attempts at improvements, however, would never deserve a reading in their own right. Shelley did not take such liberties when he translated the "Prologue in Heaven" from Faust; when he had some.

But his version is by no means as superior as we should have to expect if the usual talk about the tra. Rilke did a great deal of translating, much of it superb, but never took the liberties which most trans- 48 Introduction lators claim as their unalienable rights.

As often as not, English and American translators render Gennan verse that rhymes as all but prose, presumably because they feel that rhymes are too difficult, though they say that rhymes are not fashionable; but in English versions of Aeschylus and Sophocles rhymes are frequently imported though there are none in the original The poets' epigrams are flattened out more often than not, but where the poet has no epigram one suddenly encounters startling phrases that are almost Biblical.

At such points one wonders whether Paul, for eXam! And discussions that are based. Victorian translations of Faust and ZarathtJ.

The King James Bible is not only an imposing work of English literature but also, on the whole, amazingly accurate. Even so, its style, mood, and atmosphere are often antithetical to the original.

The austerity and laconic simplicity of the Hebrew gives way to a richly ornamental medium, and agonized outcries are refurbished u to be read in churches.

As if Amos had wished -to be read in churches" or, for that matter, Mas living Iiterature. This, how- Introduction 49 ever, is only a half-truth; and an illustration from the King James Bible may show how its magil.

After selling Joseph into slavery, his. A complete change of style in a transla. Goethe's disregard for conventions, his originality, and the irregularity of forms in Faust do not.

Goethe neither made things easy for himself nor depreciated form. When he published Faust: A Fragment in , he held back the most powerful scene of the whole play, the Dungeon scene; and he refused to publish that until he had succeeded in transposing it into rhymes to modulate its effect.

In some respects, the translator's problem in the case of 50 Introduction Faust is the opposite of that suggested by our discussion of.

Often the original seems ornate, and one is tempted to strive for greater simplicity. Yet it would be a mistake to eliminate all references to yeaming, woe, bliss, rapture, and whatever else is felt deep in the breast, although such words may be used sparingly, and fewer of them will be found.

They provide Mephisto with a foil; and the retort is, of cOurse, doubly effective when it rhymes on Faust's words" To substantiate the claims of this introduction regarding Goethe's modernity, the translation has to be faithful: I have not always reproduced Goethe"s many feminine two-syllable rhymes because English is much poorer in such rhymes than German: Faithfulness, however, was always the primary consideration.

And this, too, precluded any attempt to assimilate Goethe to a contemporary poetic idiom: The reader will assume in any case that Goethe's poetry in the poetic passages surpasses all the eHorts of his translators: German words, all force and effect is lost immediately.

He laughed at an English versionaf Gretchen's ballad about the king of Thule that read in part: He called for his confessor, Left all to his.

He considered the rhyme an irisufficient excuse for the confessor: Goethe should not be confounded with Faust, whose characteristic impatience he outgrew early.

Unlike Faust, Goethe despised neither reason nor the present, and Mephisto's short monologue after the pact scene, before the Student appears, is worth recalling: The spirit which he has received ff'om fate.

Yet Faust is saved. Let Dante and millions of lesser minds consign Paolo and Francesca to hell; let them. Unlike Luther, Goethe did not require faith either: He himself called attention to the angels' chorus: Who ever striues with all his powet We are allowed to save.

But elsewhere, especially in Wilhelm Meister, Goethe distinguished sharply between the unbounded striving which Faust exempliBes-a ruthless romanticism-and another kind of striving which is quite compatible with rational seH-discipline and delight in the present: Awgabe letzter Hand, vol.

When Goethe disclaimed any central idea, he was surely ingenuous: But the fact that it is not an allegory and that there is no theology or philosophy behind it, waiting for a commentator, is not necessarily a defect.

Kafka's Castle has sometimes been called Kafka's "Faust. And the Cathedral scene in Kafka's Trial shows at length how a simple, two-page parable can lend itself to ever..

Even if this reading of Kafka is accepted, it does not follow, of course, that Goethe conbived ambiguity in the same way, though it is well to remember his remark about wrapping u a few mantle folds around the finished product that it may altogether remain an evident riddle'l' see section 3 above.

Assuredly, Goethe was very different from Kafka in a multitude of ways. But Kafka reminds us that ambiguity and the irreducibility of a literary work to one interpretation may be virtues rather than defects, com.

For that matter, Kafka's great model, the Book of Gene- Introduction 55 sis, might teach us the same thing: And Goethe, too, received decisive impressions from Old Testament narratives.

What makes the comparison with Kafka somewhat more appropriate than that with the Bible is Goethe"s whimsical humor and his taste for the absurd Goethe"s opposition to the resentful bourgeois morality that would like to monopolize the word "morality"' -and that comes close to having a monopoly on the term -immoral" Lieschen, in Part One; helps to make that clear; so does Goethe'stemark, in a eonversation: Goethe scholars may think of connecting this attitude with Goethets "biologism"'; others will be sure to disagree.

But an Introduction is clearly not the place for trying to give final answers to questions that have perplexed great minds for well over a century-indeed for thousands of years.

Suffice it here to call attention to these issues and to point out that the relevance of F auat to such concerns has much to do with its rank in world literature.

To suppose that Faust is of interest primarily to philosophers would be as wrong as the assumption that it is only a character play with a lot of wit and some nne poetry, distinguished by superlative craftsmanship and 56 Introduction hosts of epigrams.

If one begins to read for enjoyment, the play will lead one, willy-nillyt to think. My friend and colleague Victor Lange, chairman of the German Department at Princeton University, has kindly read the Introduction ill manuscript and given me the benefit of his comments.

Easter Sunday, W. Two long monologues; separated by Fausf's dialogue with Wagner. Easter choirs toward the end. First we encounter, "people of all kinds," then Faust and Wagner.

Mephisto appears and gives an account of himself. The pact scene which contains some very note.. Faust and Mephisto among Leipzig students.

Faust has only two lines: Faust is made younger by means of a magic potion. Faust sees Margaret for the first time. Faust visits Margarefs room in her absence.

At the beginning and end of the scene, however, we encounter Margaret alone. Mephisto tells Faust what happened to the jewels.

Mephisto meets Margaret and enjoys himself telling her neighbor, Martha, tall stories about her allegedly dead husband. Mephisto persuades Faust to perjure himself.

Perhaps Margarefs last lines are doubly charming because she has done most of the talking. Faust has fled lest he ntin Margaret's life.

His opening monologue differs from all the rest of Part One by being in heroic blank verse. The ensuing dialogue with Mephisto brings out the char acter of both in bold relief.

This Gretchen scene was already part of the. The scene itself is wholly lyrical-a song. Mephisto appf3ars at the end of the scene. Lieschen represents a masterly character sketch of resenbnent.

Here "thou" would be justifiable in English, but the verb forms would interfere with the extemporaneous simplicity and t1;1e artless personal form of her address-woman to woman.

Street in Front of Gretchen's Door. GretchenYs brother, probably originally suggested to Goethe by the figure of Laertes in Hamlet, comes to life as a vivid character in a single scene.

His death, and even more his parting words to Gretchen, are a major factor in unbalancing her mind. The Evil Spirit says nothing that Gretchen might not say to herself, but no monologue could equal the dramatic power of the scene in its present form.

A Fragment in , he broke it off after this scene. As Gretchen's suffering reaches its climax, Mephisto keeps her fate from Faust and tries Contents and Comments 60 to distract him with what Faust aftel'Ward calls "insipid diversions.

A Series of quatrains, for the most part satirical. The sole prose scene, in the drama-left that way by the poet, presumably because he felt that a really stark contrast with the preceding was entirely called for.

A six-line interlude which echoes Macbeth. Faust would liberate Gretchen, whoOphelia-like--has' gone ma. This is the first scene of Part Two.

Contents and Comments 61 omitted here, the action of Act V can be understood apart from that. A wanderer visits an old couple and hears how Faust is gaining land from the sea; but the -old woman draws a terrify ing picture of his methods.

Faust, who is now-according to Goethe's conversations with Eckermann-a hundred years old, is still dissatisfied with what is present here and now..

He covets the old couplets small estate and authorizes Mephisto's men to evict them forCibly and to move them to another place.

It is the antithesis of Faust's attitude. Care, unable to prevail over Faust, blinds him-as the "man of God'l' in Genesis, who cannot prevail over Jacob, makes him lame.

Faust's last speech and death. Versuch ich wohl, euch mesmal festzuhalten? Fiihl ich mein Herz noch jenem Wahn geneigt?

Ihr drangt euch zut Nun gut, so mogt ihr waIteD: Should I attempt this time to hold you fast? Does this old dream still thrill a heart so wise?

Have, then, your way at last. As from the mist around me you arise; My breast is stirred and feels with youthful pain The magic breath that hovers round your train.

With you return pictures of joyous days, Shadows that I once loved again draw near; Like a primeval tale, half lost in haze, First love and friendship also reappear; Grief is renewed, laments retrace the maze Of Life's strange labyrinthian career, Recalling dear ones who, by fortune's treason Robbed of fair hours, passed before my season.

They will not hear me as I sing these songs, The parted souls to whom I sang the first; Gone is that first response, in vain one longs 66 Zueignung 20 Verklungen, achl der erste Widerklang.

My grief resounds to strangers, unknown throngs Applaud it, and my anxious heart would burst. And I am seized by long forgotten yeaming For that kingdom of spirits, still and grave; To flowing song I see my feelings turning, As from'aeolian harps, wave upon wave; A shudder grips me, tear on tear falls burning, Soft grows my heart, once so severe and brave; What I possess, seems far away to me, And what is gone becomes reality.

Besonders weil sie lebt und leben laSt. Die Pfosten sind, die Bretter aufgeschlagen, Und jedermann erwartet sich ein Fest.

Sie sitzen schon; mit hohen Augenbrauen, Gelassen da und mochten gern erstaunen. Zwar sind siean das Beste nieht gewohnt, Allein sie haben schrecklich viel gelesen.

Wie machen wir's, daB alles frisch und neu Und mit Bedeutung auch geHillig sei? You two, that often stood by me In former times of trouble, say: What are the chances for our play, If we perform in Germany?

To please crowds is what I desire most, For they not only live, but let live, too. The boards are up, and one sees post by post, And everyone expects a feast from you.

I see them sit there with wide open eyes, Relaxed and hoping for a great surprise. I kDow quite well how people are impressed, But I have never been in such a spot: While they are not accustomed to the best, They certainly have read a lot.

How go about it, so it will seem new, Significant, and pleasing to them, too? Of course, I like to see the crowded lanes When streams of people rush to our place And, with tremendous and recurrent pains, Press, eager, through the narrow gate of grace; When it is day, not even four, 70 55 Vorspiel Auf Dem Theater Mit Sto.

Oft, wennes erst durch Jahre durchgedrungen, Erscheint es in vollendeter Gestalt. Was glanzt, ist fiir den-Augenblick geboren, Das Echte bleibt der N achwelt unverlaren.

Den will sie doch und solI ibn haben. Die Gegenwart von einem braveD Knaben 1st, daeht ich, immer auch schon was. Drum seid nur brav nnd zeigt euch mnsterhaft, LaBt Phantasie mit allen ihren ChoreD, Prelude In the Theatre 71 They Bght and push each other, coax and vex, And, as in famine time, for bread at baker's door, To get a ticket almost break their necks.

This wonder works upon such diJIerent men The poet only-friend, do it again! And years may pass before it has acquired Its perfect form and opens like a flower.

Glitter is coined to meet the momenfs rage; The genuine lives on from age to age. From age to agelWhat silly, fruitless chatl Posterityl If I would talk of that, Who would amuse the folks today?

That's what they want, give them their farel The presence of a decent. Gebt ihr ein StUck, so gebt es gleich in Stiickenl S lch..

Publikum wird es euch doch zerpIliicken. Der saubem Herren pfuscherei 1st, merk ich, schon bei euch Maxime. Bedenktt ihr habet weiches Holz zu spalten.

U nd seht nur hin, filr Weil ihr schreibtl Wenn diesen Langeweile treibt, Kommt jener satt 'Vom iibertischten Mahle, Und, was das allerschlimmste bleibt, Gar mancher kommt vom Lesen der Joumale.

Man eilt zerstreut zu uns, wie zu den Maskenfesten, p,. Above all, let us have a lot of actionl They want a show, that gives them satisfaction.

The more you can enact before their eyes, The greater is your popular acclaim; And if the crowd can gape in duinb surprise, You gain a celebrated name.

He that gives much, gives something to all classes, And everybody will go home contented. You have a piece, give it in piecesthenl Write a ragout, you have a pen; Ifs easy to inVent, and easy tonnroll.

What good is it, if you construct awholeP The public takes it all apart again. You do not feel how bad it is to please the rabble, How artists spurn such craft and cheap applause.

The manner of the hacks that dabble Has furnished you, I see, with laws. I am not hurt by your invective: A man who wants to be effective Must first make sure his tools are good.

You are like one who would split moldy wood: Do not forget for whom you writet They come when they are bored at night, Or gorged on roasts and relish, spice and capers, And-this is the most wretched plightSome come right after having read the papers.

Was traumet ihr auf eurer Dichterhohe? Was macht ein voIles Haus euch froh? Beseht die Gonner in der Nahel Halb sind sie kalt, halb sind sie roh.

Ich sageuch, gebt nur mem und immer, immer mehr, So konnt ihr. Sucht nur die M enschen zu. Wodurch besiegt er jedes Element?

Prelude in the Theatre 75 Their dresses and their jewels, the ladies would parade, And act without a salary. Why do you dream on your poetic height?

Look at your patrons without awel What gives a crowded house delight? One half is cold, one half is raw. After the play, one hopes topla.

Co ahead, Simply give more and more, and always something more, That never fails-and add some dark allusion: An ecstasy or pain?

How does he move all hearts, or reign Over the elements like cherubim? Is it not, streaming forth, the concord of his art That carries back the world into his heart?

When nature forces the unending thread Upon her spindle in indifferent tread, When all the living lack the least rapport, Each playing his disgruntled partWho scans the selfsame lines as they unroll, Bestowing life, and quickening, rhythmic motion?

Who calls each single voice to celebrate the whole, So all may blend in musical devotion? Who creates tempests to show passion's powers?

The last red clouds, to grace the mind's repose? Wer siebert den Olymp, vereinet Gotter? Des Mensehen Kraft, im Dichter oHenbart.

So braucht sie denn, die- schonen Krafte, U nd treibt die dichtrischen Geschafte, Wie man in Liebesabenteuer treibtl Zufallig naht man sich, man fiihlt;man bleibt Und nach und nach wird manverHochten; Es wachst das Gluck, dann wird es angefochten, Man ist.

Who twines green leaves, worthless as common clods, To wreaths of honor that stay always fresh? Secures Olympus and unites the gocts? The strength of man,.

Then use your fair strength skillfully: The business of poetry Conduct as if it were a love affair! The flower of our youth will come to read And hear whatever you may be revealing, And every tender mind will come to feed Upon your work its melancholy feeling; One thrills to this, one finds that in your art, Each sees preCisely what is in his heart.

Ford, a greyhound's head erased sa. Fort is in arduis. Forican, an elephant's head erased sa. Forsan, a grifiSn's head per fess az. Loyal a la niort.

Forser of Kelboe and Haverhouse, Durh. Forsham, a talbot's head arg. Kilkenny, Ireland, a between as many branches vert, eared and armed arg.

Forkington, a demi-greyhound sa. In corda inimicorum Begis. Forster of Alnwick, Northumb. Forster of Cumnor Hall, a stag lodged fructed arg. Garrard of Fellingham, Norf.

Garrard of Shiufield, Berks, out of a ducal coronet a demi-lion rampant az. Garrat and Garratt, a hind sejant regardant, resting her dexter foot on a bee-hive ppr.

Garraway, an escallop between two wings. House, Aldringham, the sun rising in splendour, the rays alternately and sa. Garrioch, Scotland, on a mount a tree.

GAU on a mount vert, under an oaktree ppr.. Garrow, Sussex, on a mount rert, a palmtree ppr. Garroway, Sussex and Herts, a I A demi-lion rampant, holding in the dexter paw a Gaskin of London, issuing from the sea an arm embowed, holding in the hand an battle-axe.

Ne cede up erm. Garroway, Surrey, on a rock a Cornish chough ppr. Garsett and Garsed, Norf. Garshore, Scotland, an eagle displayed ppr.

Braganstown, Louth, out of a ducal armour embowed, holding coronet or, a dexter arm in in the hand a dagger, all ppr. Garston, out of a mural coronet arg..

Gascoigne, Trench-, Frederick Charles. Yorks; i Gates, Devonsh. A conger's head couped and erect or. Gascoyne, Beds, a lucy's head erect or, Vi et virtute.

Clare, a jay ppr. GatQeld, on a ducal coronet or, a cross between two ostrich-feathers arg. Esquire, Garstin, Ireland, a Mayo, Ireland, a lion passant gardant gu.

Gascoigne, Yorks and Norf. Gasselyn and Gasselyne, an eagle displayed sa. Gastrell, Glouc, a lion's head erased ppr.

Gatacre, Major-General John, same crest and motto. Gateford, a demi-autelope ppr. Fidditur Gaskell, Yorks, a stork ppr.

Gartsyde, Yorks, a stag per pale gu. Garter, a caltrap or, embrued on the upper point ppr. A garb or, banded by a fesse dancettee Gartliside, out of a ducal coronet or, a az.

Carton, an antelope's head erased gu. Gatonby, two swords in saltier ppr. Stephen Herbert, Chief Gatty, Hon. Justice of Gibraltar, a fern brake, and rising therefrom a cock-pheasant, all Gatty, an embattled gateway, thereon a cock-pheasant rising, all ppr.

Gauler, a hawk holding in its dexter claw Gaunt, De, a cross pattee fitohed sa. Goldman, Scotland, a fox current ppr. HolyEsquire, port, Maidenhead, same crest and motto.

Gold, Wilts, an eagle's head erased az. Golder, Berks, a demi-lion rampant gar Goldesborough and Goldsbrough, a dexter hand holding a trident ppr. Goldesburgh of London, a demi Goldflnch, Kent, a camel passant ppr.

Goldfrap, a wolf's head erm. Douglas, Isle of Man i A garb Goldie. Golding, Essex and Sufi. Golding of Colson cf. Golever, a mermaid ppr.

Honor virtulis GoUop, an antelope trippant ppr. Sir John Tankerville, of paw a broken arrow gu. Brighton, Sussex, East Titherley I Goloner, a demi-griffin ppr.

Kent sustaining an anchor az. I of reeds erect or, banded az. Goltshed, two wings conjoined or, thereon a dove statant ppr. Quis siniilis tibi in fortibus Domine.

Gom, two scimitars in saltier ppr. David Gomeldon, a demi-griffin arg. Per constanza e speranza. Gomm, Sir W'illiam, same crest ami motto.

Tonbridge, Keut i mouth a cinquefoil or, leaved vert. Goldsmidt, two lions' gambs erased sup- Gooch, out of a ducal coronet a stag's head collared.

Goldsmith, Hants, a stork sa. II of Benacre Hall, Suff. Uatfield, Kent, same crest and motto. Goodridge of Totnes, Devonsh.. Wait of Woodbrough, Somers.

Pro nris el jocis. Waite and Waith, same crest. Galway, a demieagle displayed. Nidlitis in verba magistri. Walcott, Charles Thomas, same crest and motto.

Walcott, a bull's head erased erm. Wallord, two palm-branches in orle vert. Sideus nobiscum quis contra nos. Waldegrave , Chewton Priory, Bath, out of a ducal coronet or, Walkeden of London, a griffin's head erased quarterly arg.

Wakefield of Dublin, a bat displayed or. Lawford, Essex and Northamp.. Stricklandgate House, feathers per pale arg. Walden, a winged spur, rowel upwards Walker of New Bomney, a lion's gamb " erect and erased gu.

Edmund Gustavus Wakelyn of Eydon, Northamp. Walker of Drogheda, Ireland, a lion's head erased or, gorged with a wreath holding in the dexter paw a tulip gu.

Wakeman, Ireland, a lion's head erased extended 5. Wakeman of the Craig, near Monmouth, a lion's head erased or, vomiting smoke and flames of fire ppr.

Waldoure, a wolf's head erased or. Waldron and Waldrond, Devonsh. Waldron of Clent, Stourbridge, Worcs.

Wakeman or, of Chaderleigh, Worcs. Wakering, Essex, on a mural coronet or, a pelican of the same vulning herself dragon's head vert, crowned with an Eastern coronet of the first, cf.

Waldy, out of a mural coronet ppr. In omnes nut-tree ppr. A bird in the hand is worth two in the hush. Waltham, a peacock's head az.

Walton of nifton, Glouc, a griffin's head erased arg. Ward, Viscount Bangor, see Bangor. Ward, Lucas-, of Guilsborough. Give the thanks that are due.

Ward, of Great Ilford, Essex, Warw. Walton, late General William Lovelace, between two wings, each charged with a fire-ball, a griffin's head erased ppr.

Walton of Chaklack Hall, Durh. Walton of Lacock, Wilts, and of Walton, Lanes, a wild man wreathed about the loins ppr. A buck's head ppr.

Astra, castra, numen, lumen. Je voil droyt avoyre. Andrew, trefoil slipped or, Warburton, Ireland, a mermaid with her Walwyn, a pheasant ppr.

S wreathed about the temples and waist with oak - leaves, over the dexter shoulder a chain in bend sinister, supporting with the dexter hand an axe head downwards, and holding in the sinister hand an oak sapling eradicated and sprouting, all ppr.

Walton, a wild man striding forward ppr. Walton, on a chapeau arg. Canon, the Close, Winchester, same crest and motto.

Warburton, Egerton-, Piers, of Warburton, Chesh. Ward, a heraldic antelope sejant. Ward, Berks, and Birmingham, Warw. Ward, Arthur John Hanslip.

Colonel 1st Suffolk and Harwich R. Aut nunquam testes a cross crosslet fitchee. Warde, Walter Eldred, same crest and griffin's head erased. Ware, a bear passant arg.

Frickley Hall, Doncaster, issuant from Place, Surrey, a martlet sa. Usque ad mortem fidus. Warde of Broke, Norf. Bridgman Lanes, a wolf's head couped at the an eagle displayed erm.

WardeU or Wardle, a lion's gamb holding Waring of Waringstown, co. Nee ri nee a spear ppr. Antrim, an eagle Ward-Boughton-Leigh, Rev.

Theodosius, close regardant ppr. Mox sese altollit bend. Oswald Pryor, in auras. Ward-Boughton-Leigh, John Hugh, 67, Warden, a peacock's feather and two charged on either wing with an annu- aut Albert Hall Mansions, S.

Wanganui, New Zealand, Judge of the dustria et spe. Kia kaha ki te mahi tika. Waringe, Ireland, a rose or, barbed vert. Warley, a tree ppr.

Staffs, and of Oakland, Wolverhampton, Familias firmat pietas. Warley of London, out of a mural coroStaffs, ki front of a cubit arm ppr. I grasping an arrow in bend sinister or, Wardlaw, Sir Henry, Bart.

I hilt and pommel of the third. Wardall, a boar's head and neck or. Warde of Hurst, Beds, a wolf's head unicorn's head erased arg.

Warde of Clopton House, Warw. I mullet of six points of the last. Superna Court, Maidstone, same crest and sequor. Andrew Bruce, same his dexter shoulder ppr.

CarUsle, in front of a demi-lion az.. Warne, a horse-shoe wings ppr. Holland, 37, the Drive, Hove, Sussex, a horse-shoe reversed between two wings.

Warnefor'd of Warneford Place, Wilts, a Warne, ' garb ppr. Warner, Edward Hanley, Leics. Nou nobis tantum erm. LeodeJuda oak - tree ppr.

Warner, Ireland, a badger passant sa. Ex sudore Warner of Strowd, Midds. Mox virtute se tollit ad t,.. Deo adjuvante non ti7nendum.

Be just and fear not. I I of London, Norf. Warner, Yorks, a Saracen's head affrontee ppr. Warner j Warren, Middx. En avant si je puis. Warren London, a talbot ppr.

Warner, ; Patrick, of Ardeer, Ayrsh. Warr, a cross fleury fitohed gu. Warrand, out of a ducal coronet demi-lion erm. Warre of Chipley, Somers.

Warre, Bart, extinct , of Hestercombe, Somers. Warren, Baron de Tabley, see De Tabley. Warren, on a chapeau gu. Samuel Percival, of Balaz.

Warren, a coney sejant in a fern-bush. Warren of Hedbury, Devonsh, Warren of London, out of a ducal cororampant chequy or and az.

Warren, Sir Augustus Riversdale, Bart. Cork, a Uon sa. Fort una rampant holding a crozier ppr. Albans, Herts, a lion's gamb erased arg.

Warren of Aldenham, Herts, out of a Warren, out of a crescent arg. Omne tulit punctum qui miscuit tttile panded chequy or and az.

Warren of Poynton, Chesh.. WAT Waterhouse, Ireland, an eagle's leg or, conjoined at the thigh to a wing sa.

Waskett of Pentlow Hall, Essex, a lion rampant gu. Cave et felix esto. Warter or Wartur, a fox sejant ppr.

Warter of London and Essex i rampant sa. Vi Indus non coactns. Warter-Tatham, Henry de Grey Warter: Wasse of Wickham, Bucks, a demi-lion rampant arg.

Warton of Beverley, Yorks, on the stump Wastell, Northamp. Vix ea nostra voco. Warwick, a leopard's face or. Warwick of Warwick, Cumb.

Was8 of London, and Rotherby, Leics. Wase of Storrington, Susses, a dcmiing in the beak an escallop or, a lion rampant arg. Warters, Ireland, a lion rampant arg.

Wartnaby, a lion's head erased or. Non dormiat qui custodit. Incorrupta fides nndaque Veritas. Wason, Eugene, Esquire, M. Per ardua ad alta.

Waterlow, a demi-lion gardant az. Cork, on a ducal coronet or, a snake nowed ppr. Waters of Sarnau, Carmarthen, a demi- Honor pietas.

Waters, a demi-talbot arg.. Waters of Newcastle, co. Limerick, Ire land, a demi-heraldic tiger per pale indented arg. Waterton, a goat's head erased or, col- lared gu.

Better kinde frembd than frembd kyen. Washborne, a hand holding a dagger ppr. Washbourn, Henry John, Waterford i A dragon's head erased az.

Down, Bristol, a dexter cubit arm erect vested sa. Veritas Watkin, Sir Alfred Mellor. Chester, a cock's crest. Watson, Thomas Wright, Esquire, Lubenham.

Market Harborough, a griffin's head erased arg. Esto quod esse videris. Watson, Lieutenant-General George Vincent, a griffin's head erased ppr.

Watkins of Badby House, Northants, a head erased gu. In portu griffin's qnies. Watmough or Watmoughe, a ferret passant sa. Sic iiitr ad astra nee aspera ferrent.

Watkins of Pennojrre, Brecknock, a dragon's head erased vert, holding in the mouth a dexter hand couped at the wrist gu. Pen aur y chalon wir cj.

Sir John, Shermanbury of Conington, Cambs, a griffin's head erased sa. Watney, Daniel, 2, Endsleigh Street, W.

Watney, 1 Watney, Vernon James, industria. Henry James, Canwick same crest and motto. Watson, Sir Arthur Townley, Bart.

William Watson of Wath Cottage. Yorks, issuant from issuing from a cloud, all ppr. A Deo a sun rising in splendour ppr.

Inspiratur Watson of Muirhouse, co. Fjyddlawn griffin's head erased arg. Watkins, a cubit arm erect, the hand Watson, late John, Esquire, of Whitney grasping a tilting-spear in bend sinister Terrace, Bowdon, Chesh.

II a griffin's head erased az. Esto quod Watkinson, an hourglass winged ppr. II Watkinson, an eagle's head erased az. I grasping a sabre, all ppr.

Watson, the Scotland, a derai-gryphon holding in his dexter claw a dagger ppr. In hoc signo vinces. Watson of Low Hall, Shropsh.

Watson, Hants, on a chapeau gu. Watson of Hardendale, Westml. Watson of the hand an anchor az. Watson Watson of Turin, Scotland, a lily of the Gosberkyrke, Lines, an otter passant ppr.

Watts, Wilts, of Cotlington, Somers. Watson a ship under sail ppr. Lahore Watson, an oak-slip ppr. Esto quod esse Watts, a griffin's head erased holding in Watson, William Livingstone, Esquire, videris.

Insperata sinister charged with a fess crminois between House, Bucks, an oak-tree ppr. Henrietta Street, Cavenneck with a fess embattled az.

Va presto ma sano. Mea Watt of Speke Hall, Lanes, a greyhound ostrich-feathers of five Non eget Mauri jarulis neque arcu. Watts, William Henry, J.

Fide sed cui vide. Watson, John William, Esquire, of I Watts of Hockwold, Norf. Gerrard's Cross, Bucks, a demi-hind Fortis in Fide et fiducia.

Watt-Gibson-, of Doldowlod, Radnorsh. Watur, a garb per pale or and arg. Watte, Kent and Somers.

Watters, Andiew, of Belleville, Edinburgh, a talbot's head erased arg. Wauch or Waugh, out of a ducal coronet a dexter hand holding a sword erect, 2 1 2.

Edinburgh, Industria Scotland, a wheat-sheaf or. Wayneman of Fringeford and Thame: Industria for decrit alter aureus.

I Waynewright, a lion rampant arg. Tipperary, Ireland, a demi-eagle displayed gu. Malo mori quam and issuant therefrom a reindeer's fn imus.

Weare, Henry Oxenden, 6, Courtfield jadnri. An eagle displayed sa. Wauton, a trefoil slipped and voided sa. Webb, Glouc, an eagle displayed sa.

Webb of Weobley, Heref. Esquire, Tan-y-gareg, near 2 couped ppr. Tenez displayed issuing out of a ducal coronet merui tneum est.

Sir Samuel James, Bart. Way, Edward WiUis, L. S Way, an eagle '. Way, Lewis John, Spencer Grange, erased ppr.

Great Yeldham, Essex, same crest. Weaver, James, Esquire, cf Worcs. Sligo, Ireland, a mail holding in the hand ppr. Esto in the mouth a pear slipped ppr.

John age, near Bristol, same crest and motto. Webb, a demi-eagle displayed, holding in Webb of Castle Leckey, co. Londonderry, out of a ducal coronet or, a demi-Uon the beak a cross crosslet fitched.

Way of Kilree, co. Kilkenny, a dexter rampant az. In hoc signo vinccs. Otago, New Zealand, a pelican in her erased, ducally gorged.

Wayne of Quorndon House, Derbysh. Waynflete, a griffin's head erased vert. Quid Xulla palltscere culpa. Tipperary, same crest and motto.

Bryn Llewyn, Corwen, North Wales, same crest and motto. Hanmer, 25, Onslow i A ducal coronet Gardens, S. Aquila non 2 above.

An eagle Webb displayed sa. Webb of London, out of an Eastern coronet or. Webster, a weaver's shuttle in pale.

Son de- — Webb, a broken spear in three pieces, the headpiece in pale and the others in saltier ppr. Wedderburn, Bart, attainted , of Blackness, Linlithgowsh.

Aquila non captat muxcas. Vincit displayed, all or. Glyn Dderwen, near Swansea, same quarterly vert and or.

Carpe swan's beaked Wedderburn, Ogiivy-, land: Aquila non captat i Same — Webber, Scotland, a hawk jessed and crest.

Webber, William Downes, Esquire, J. Sligo, Ireland, a wolf's head couped per pale arg. Helen's, a dragon's head erased.

Webber, Incledon-, Duncan Harold: Webster of Chester, a dragon's head erased quarterly per fesse indented or Weedon, Bucks, Dorset, and Lanes, a hedgehog sa.

Cari Deo nihilo carent. Webber-Incledon, Laurence Charles, Esgij. Webber, a demi-lion gardant or, holding A Webster, Scotland, the suu rising from the sea ppr.

Weddall of Stebenheath, Middx. George on the same. Weddel or Weddell, a battle-axe in pale ppr. Hampton Lodge, nihilo carent.

Weeks, a dexter hand holding a scimitar ppr. Webber of Badialton WeddeH, a hawk hooded and Court, Weever of Kingston and Prestine, Surrey, an antelope trippant erm.

Webbes, a hand couped at the elbow Wedderbourne or Wedderburn, an eagle's head erased ppr. Edward John, Wedderburn, Rev. On the dexter side a stag lodged in 2 A demi-lion arg.

On the sinister side an head an Eastern crown or, the dexter 2 eagle's head erased ppr. Aqiiila non capiat muscas. Wegge, a hand from the wrist in a gauntlet.

Vols, retired , of Belmont, Heref. Wegg or Wegge A: Blundel , Lanes, a squirrel sejant gu. Grantham, same crest and motto. Weir of Dublin, a demi-horse in armour Nihil ppr.

Campbell, 51, Albany Street, sa. Giles, Malvern Link, Worcs. Weir of Kildonan, a demi-horse arg.

Walter Hugh Earle, St. George's Lodge, Byde, same crest and motto. Gosberton i A man's head in profile couped at the shoulders ppr.

Weldon of Swanscombe, Kent, the bust of Queen Elizabeth ppr. Weldon, Sir Anthony Arthur, Bart. Kildare, and Kilmorony, Queen's Co.

Welch or Welsh, a demi-wolf rampant Weldon, a demi-lion rampant arg. Weldon of Sbottisbrook, Berks, a demi I lion rampant arg. I bezantee, gorged with a collar gobony Bienfait.

I a ring or. Gwell angeu na chyywilydd. Weiss, Henry, Esquire, J. Welborne of Burport, Dorset, a hand Weld, see Forester.

Nil sine Ijowed issuing from flames ppr. Welford or Welsford, Heref. Wellan, a demi-lion holding in the dexter paw an estoile, the sinister resting on the wreath.

Weller, a demi-lion rampant holding in the dexter paw an estoile. Weller, a laurel-branch fructed ppr. Welles, De, an ostrich's head and wings arg.

Welles of Saltash, Cornw. Welles, Cambs, a unicorn's head erased az. Manor, Bridport, a wyvern sa. Welby, Baron Welby , same: Welles of Buckstead, Sussex, a talbot passant arg.

I in armour 2 A cubit S I'rr iijnem per gladium. I bezantee, gorged with a coUar and chain reflexed over the back or, the wings expanded erm.

Wellesley, see Wellington, Duke of. Wellesley, see Cowley, Earl of. Wellesley, Marquess of Wellesley ex i Out of a ducal coronet or, tinct a demi-Uon gu.

George, with the motto over in Hindostan: Weld Weld, wyvern displayed vert. WEL neath the Mysore Standard, all ppr. WEN on the shoulder with five escallops saltireways or, holding between the claws a bezant, and resting the dexter paw on a mascle fessewise of the second.

Wenlock, Baron Lawley , of Wenlock, Shropsh. Porro unum est necessarium. Wellington, Duke of WeUesley , Stratfieldsaye, near Winchfield, Hants, out of a ducal coronet or, a demi-lion rampant gu.

Welsh, on the branch of a tree an eagle vert. Welsh of Sheldesley, Worcs. Welsh, Scotland, a naked dexter arm grasping an Oriental scimitar richly mounted, all ppr.

Welsh truncheon of a tilting-spear or. Je veux de bonne guerre. I 5 Welstead, out of a mural coronet or, a dexter hand ppr.

Welstead or Welsted, a hind trippant arg. Wentworth, see Fitzwilliam, Earl. Wentworth, Watson-, Marquess of Rock- Cork, a hind trippant arg.

Men En Dieu c. Ralph Gordon Noel Milbanke, D. Wells of Portlemouth, Devonsh. Charteris-Douglas , Neidpath Castle, Peeblessh.

Wells, Edward, Esquire, J. Wemyss of Balfarge, a demi-swan with wings expanded ppr. Virtus dum patitur vincit. En Dieu est tout. Wentworth, Vernon-, Thomas Frederick Charles: Wells of Holm House, Hunts, a demi- ostrich with wings displayed arg.

Wells, Sir Arthur Spencer, Bart. Wendesley or Wensley of Wendesley, Derbysh. Wendey, Cambs, a lion's head erased az.

Wentworth, out of a ducal coronet or, a plume Wentworth,! Jlolesev, the two ears of an ass sa. Sheilds, Esquire, of Delahay Street, Jour de ma vie.

Nee Western, temere, nee timide. Fermanagh, Ireland, same crest, Werden, Chesh. Down, Ireland, Werdman of Charleton, Berks, a bear's out of a ducal coronet a griffin's head head erased arg.

Joiir de ma vie. West of Fortwilliam, co. Nee temere, nee cf. Edward Were, ing in the dexter claw a sword arg. Werburgh's Vicarage, Derby, a West of London, on a coronet composed demi-lion rampant ppr.

West, Cornwallis-, William Cornwallis, same crest and motto. Ruthin Castle, Ruthin, Denbighsh. Kennet, Cotlands, Sidmouth head az. Jour same crest and motto.

Werge of Hexgrave Park, Notts, a demi lion rampant or, holding in the de. A'p langued and cared or. Were of Sylverton, an eagle's head erm.

I Westlemore, a tent arg. Extremos pied,, it rediisse. Galway, a cockatrice with wings elevated and the tail nowed vert, combed and wattled gu.

Nee volenti, nee volanti. Westby of Thoruhill, Ireland, a martlet sa. Dublin, and of Weston of Rugeley, Staffs, an eagle rising per fess erm.

Kilballyowen and Rosroe, co. Clare, a first with a fess dancettee sa. Ntc volenti, nee volanti. I West of Cotton End, Northamp. S upon a mount vert, an eagle's bead beaked and eared of the first, charged Westcombe, Bart, extinct , out of a mural the neck a ribbon erased or, around coronet a griffin's head, both or.

Feswith a fleur-de-lis for difference. Fermanagh, of Westcote, a Moor's head couped ppr. Wicklow, late of Loughlinstowa. Kil- Westcott, two hands issuing from clouds CO.

Dublin, late of i Weston, a camel sa. Berlis, a cubit arm erect, vested and Weston, Henry Macgregor. William Alexander Wesfenra, see Rossmore, Baron.

Westenra, Ireland, a lion rampant arg. Weston, Earl of Portland extinct , an eagle rising regardant sa. Weston of Sutton, Lines, a Saracen's head affrontee, wreathed about the temples or and vert.

Westropp, Ireland, an eagle's head sa. Westropp, Yorks and Ireland, an eagle's I gorged with a ducal coronet per pale of the last. Limerick, same crest and motto.

Westropp, Ralph Hugh, Springfort, co. Liinerick, a falcon's head erm. Jt me tournt vers Voccident. L, of Luneburg, Sandymount, Dublin, same crest.

Je me tourne vers Voccident. Westropp - Dawson 1 On clouds ppr.. Wharton, a bull's head erased per pale arg. Canterbury, New Weykes, a greyhound's head erased or, gorged with a bar-gemelle gu.

Weyland, a dolphin naiant az. Weyland of Woodrising Hall, Norf. Weymouth, a dexter arm in armour em- Wharton, William Henry Anthony, of bowed, cuffed paly of sis arg.

John Lloyd, Dryburn, Durh. Wey, a mailed ami embowed, the hand: Spe dives re pauper. Tourne Whalley, a whale's head erased and erect cracking a nut or.

En ing in the mouth a battle-spear reversed Dieu sont nos esperances. Westropp of Attyflin Park, Ireland, out ppr. Whalley of Overton, Hunts, and Norton, label of three points or.

Whately, a stag's head ppr. Mirabile Whatley, a lion rampant or, holding in 2. George Cairncross, , Qui sis non unde. Queen's Road, Bayswater, same crest Whatton, Leics.

Wetherton, a lion's gamb erect and erased gu. WettenhaU of WettenhaU and Hankilow, cj. I I tween the hands ppr. William Cheslin, Ridge- martlet charged with a fleur-de-lis, holding in the beak an oak-leaf and acorn for Medhurst.

Wheler, a camel's head erased az. WHI stalked and leaved, also ppr. Wheeler of Stuncarter, Kilkenny, Ireland, on a ducal coronet or.

Whieldon, Arthur Edward, Lillington, Leamington, same crest and motto. Whight, out of a ducal coronet or, a Wheler of Colchester, Essex, and Lines, dragon's head vert.

In solo Deo salus. Whinfield, a horse's head couped gu. Glouc, Fretherne, Stonehouse, Whelpdale, a hand holding a hawk's lure front of an anchor erect sa.

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